Rameau: Platée, Act 2: "Aux langueurs d'Apollon"
Jean-Philippe Rameau, Sabine Devieilhe, Alexis Kossenko, Les Ambassadeurs
Rameau: Le Grand Théâtre de l'amour
5:01 October 28, 2013
BPM
107
Key
D♭ Major
Camelot
3B

Embed

Share Link

Rameau: Platée, Act 2: "Aux langueurs d'Apollon" - Jean-Philippe Rameau, Sabine Devieilhe, Alexis Kossenko, Les Ambassadeurs Information

Acousticness
84%
Danceability
41%
Energy
25%
Instrumentalness
1%
Liveness
13%
Loudness
70%
Speechiness
7%
Valence
18%
Popularity
Loudness
-17.977 dB

Summary

"Rameau: Platée, Act 2: "Aux langueurs d'Apollon"" by Jean-Philippe Rameau, Sabine Devieilhe, Alexis Kossenko, Les Ambassadeurs was released on October 28, 2013. With this song being about 5 minutes long, at 5:01, "Rameau: Platée, Act 2: "Aux langueurs d'Apollon"" by Jean-Philippe Rameau, Sabine Devieilhe, Alexis Kossenko, Les Ambassadeurs is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 23 in the song's album "Rameau: Le Grand Théâtre de l'amour". In this album, this song's track order is #21. In terms of popularity, Rameau: Platée, Act 2: "Aux langueurs d'Apollon" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Rameau: Platée, Act 2: "Aux langueurs d'Apollon" BPM

With Rameau: Platée, Act 2: "Aux langueurs d'Apollon" by Jean-Philippe Rameau, Sabine Devieilhe, Alexis Kossenko, Les Ambassadeurs having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Rameau: Platée, Act 2: "Aux langueurs d'Apollon" Key

This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
La Sonnerie de Sainte-Geneviève du mont de Paris by Marin Marais, Henk Bouman, Musica Antiqua Köln, Reinhard GoebelLa Sonnerie de Sainte-Geneviève du mont de ParisMarin Marais, Henk Bouman, Musica Antiqua Köln, Reinhard GoebelA♭ Minor21A119 BPM
Te Deum, H. 146: Te Deum, H. 146: II. Te Deum laudamus by Marc-Antoine Charpentier, Bernard Deletré, Les Arts Florissants, William ChristieTe Deum, H. 146: Te Deum, H. 146: II. Te Deum laudamusMarc-Antoine Charpentier, Bernard Deletré, Les Arts Florissants, William ChristieD♭ Major13B84 BPM
Coffee Cantata, BWV 211: Aria: Heute noch by Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett PolegatoCoffee Cantata, BWV 211: Aria: Heute nochJohann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett PolegatoF♯ Major12B120 BPM
Exsultate, jubilate, K.165: 4. Alleluia by Wolfgang Amadeus Mozart, Emma Kirkby, Academy of Ancient Music, Christopher HogwoodExsultate, jubilate, K.165: 4. AlleluiaWolfgang Amadeus Mozart, Emma Kirkby, Academy of Ancient Music, Christopher HogwoodA Minor18A129 BPM
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Mille pene" (Orfeo)Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I BarocchistiF♯ Minor111A91 BPM
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe by Gioachino Rossini, Marcus Creed, RIAS KammerchorPetite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. ChristeGioachino Rossini, Marcus Creed, RIAS KammerchorF Minor04A149 BPM
Marche de triomphe, H. 547/1 by Marc-Antoine Charpentier, Le Concert Spirituel, Herve NiquetMarche de triomphe, H. 547/1Marc-Antoine Charpentier, Le Concert Spirituel, Herve NiquetC Major48B99 BPM
I puritani: Qui la voce sua soave by Vincenzo Bellini, Luba Orgonasova, Symfonický orchester Slovenského rozhlasu, Will HumburgI puritani: Qui la voce sua soaveVincenzo Bellini, Luba Orgonasova, Symfonický orchester Slovenského rozhlasu, Will HumburgA♭ Major14B103 BPM
Dido and Aeneas / Act I: Dido and Aeneas / Act I: "Ah! Belinda, I Am Press'd" ... "When Monarchs Unite, How Happy"Henry Purcell, The English Concert, Trevor Pinnock, Anne Sofie von Otter, Lynne Dawson, The English Concert ChoirB Minor010A75 BPM
Theodora: Aria - As With Rosy Steps The Morn by Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry BicketTheodora: Aria - As With Rosy Steps The MornLorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry BicketB Major01B68 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6371705532073975

End: 0.6429104804992676