Khovanshchina - Symphonic Transcription: Entr'acte (Intermezzo) - Act V
Modest Mussorgsky, Cleveland Orchestra, Oliver Knussen
Mussorgsky (transc.: Stokowski): Pictures at an Exhibition/Boris Godounov Synthesis etc
4:24 January 1, 2004
BPM
92
Key
D Major
Camelot
10B

Embed

Share Link

Khovanshchina - Symphonic Transcription: Entr'acte (Intermezzo) - Act V - Modest Mussorgsky, Cleveland Orchestra, Oliver Knussen Information

Acousticness
86%
Danceability
17%
Energy
21%
Instrumentalness
35%
Liveness
7%
Loudness
61%
Speechiness
5%
Valence
4%
Popularity
Loudness
-23.455 dB

Summary

"Khovanshchina - Symphonic Transcription: Entr'acte (Intermezzo) - Act V" by Modest Mussorgsky, Cleveland Orchestra, Oliver Knussen was released on January 1, 2004. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Modest Mussorgsky, Cleveland Orchestra, Oliver Knussen's "Mussorgsky (transc.: Stokowski): Pictures at an Exhibition/Boris Godounov Synthesis etc" album is number 19 out of 20. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Khovanshchina - Symphonic Transcription: Entr'acte (Intermezzo) - Act V is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Khovanshchina - Symphonic Transcription: Entr'acte (Intermezzo) - Act V BPM

We consider the tempo marking of Khovanshchina - Symphonic Transcription: Entr'acte (Intermezzo) - Act V by Modest Mussorgsky, Cleveland Orchestra, Oliver Knussen to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Khovanshchina - Symphonic Transcription: Entr'acte (Intermezzo) - Act V Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinG Minor06A81 BPM
Le nozze di Figaro, K. 492: Overture by Wolfgang Amadeus Mozart, BBC Symphony Orchestra, Sir Colin DavisLe nozze di Figaro, K. 492: OvertureWolfgang Amadeus Mozart, BBC Symphony Orchestra, Sir Colin DavisD Major110B79 BPM
Boris Godunov by Modest Mussorgsky, Choir of the Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko, Yelena Obratsova, Yuri Mazurok, Alexandr Ognivcev, Orchestra of The Bolshoi TheaterBoris GodunovModest Mussorgsky, Choir of the Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko, Yelena Obratsova, Yuri Mazurok, Alexandr Ognivcev, Orchestra of The Bolshoi TheaterC Major28B80 BPM
The Firebird (L'oiseau De Feu) - Suite (1919): Finale by Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun ChungThe Firebird (L'oiseau De Feu) - Suite (1919): FinaleIgor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun ChungE Major212B78 BPM
Symphonie fantastique, Op. 14: II. Un bal by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingSymphonie fantastique, Op. 14: II. Un balHector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingA Major111B107 BPM
Beethoven: Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro by Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon RattleBeethoven: Symphony No. 2 in D Major, Op. 36: III. Scherzo. AllegroLudwig van Beethoven, Wiener Philharmoniker, Sir Simon RattleD Major110B153 BPM
Raymonda, Act III: Variation for male dancer by Alexander Glazunov, English National Ballet Philharmonic, Gavin SutherlandRaymonda, Act III: Variation for male dancerAlexander Glazunov, English National Ballet Philharmonic, Gavin SutherlandA♭ Major04B61 BPM
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto by Gustav Holst, Saint Paul Chamber Orchestra, Christopher HogwoodSt. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con motoGustav Holst, Saint Paul Chamber Orchestra, Christopher HogwoodE Minor09A136 BPM
Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto by Ludwig van Beethoven, Berliner Philharmoniker, Kirill PetrenkoSymphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno prestoLudwig van Beethoven, Berliner Philharmoniker, Kirill PetrenkoD Major210B105 BPM
Overture to Overture to "A Midsummer Night's Dream", Op. 21: Allegro di moltoFelix Mendelssohn, London Symphony Orchestra, John Eliot GardinerE Major112B137 BPM
ISRC
DEF059607050
Label
L-M Records/RCA Records

Section: 0.8103220462799072

End: 0.8136229515075684