Armide: Act IV, Scene 3: Ubalde : "Des charmes les plus forts" - Scène 4
Jean-Baptiste Lully, Bernard Deletré, Collegium Vocale Gent, Gilles Ragon, Philippe Herreweghe, La Chapelle Royale, Véronique Gens
Lully: Armide
5:55 1993
BPM
85
Key
B♭ Major
Camelot
6B

Embed

Share Link

Armide: Act IV, Scene 3: Ubalde : "Des charmes les plus forts" - Scène 4 - Jean-Baptiste Lully, Bernard Deletré, Collegium Vocale Gent, Gilles Ragon, Philippe Herreweghe, La Chapelle Royale, Véronique Gens Information

Acousticness
94%
Danceability
33%
Energy
11%
Instrumentalness
0%
Liveness
19%
Loudness
61%
Speechiness
5%
Valence
46%
Popularity
Loudness
-23.351 dB

Summary

Jean-Baptiste Lully, Bernard Deletré, Collegium Vocale Gent, Gilles Ragon, Philippe Herreweghe, La Chapelle Royale, Véronique Gens made "Armide: Act IV, Scene 3: Ubalde : "Des charmes les plus forts" - Scène 4" available on 1993. Armide: Act IV, Scene 3: Ubalde : "Des charmes les plus forts" - Scène 4 is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The track order of this song in Jean-Baptiste Lully, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent's "Lully: Armide" album is number 11 out of 39. Armide: Act IV, Scene 3: Ubalde : "Des charmes les plus forts" - Scène 4 is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Armide: Act IV, Scene 3: Ubalde : "Des charmes les plus forts" - Scène 4 BPM

We consider the tempo marking of Armide: Act IV, Scene 3: Ubalde : "Des charmes les plus forts" - Scène 4 by Jean-Baptiste Lully, Bernard Deletré, Collegium Vocale Gent, Gilles Ragon, Philippe Herreweghe, La Chapelle Royale, Véronique Gens to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.

Armide: Act IV, Scene 3: Ubalde : "Des charmes les plus forts" - Scène 4 Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Suite in G minor: IV. Bourree II (Arr. A. Camden) by George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas WardSuite in G minor: IV. Bourree II (Arr. A. Camden)George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas WardC Minor15A114 BPM
La Nuit Ballet: Le Roi représentant le soleils levant by Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard GoebelLa Nuit Ballet: Le Roi représentant le soleils levantJean-Baptiste Lully, Musica Antiqua Köln, Reinhard GoebelF♯ Minor111A111 BPM
Violin Sonata No. 2 in D Major: I. Presto by Élisabeth Jacquet de La Guerre, Lina Tur Bonet, Patxi Montero, Kenneth WeissViolin Sonata No. 2 in D Major: I. PrestoÉlisabeth Jacquet de La Guerre, Lina Tur Bonet, Patxi Montero, Kenneth WeissC Major18B86 BPM
Symphony No. 1 in B-Flat Major, Op. 2, Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": I. AllegroWilliam Boyce, Aradia Ensemble, Kevin MallonA Major111B86 BPM
Symphony No. 2 in A Major, Op. 2, Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. VivaceWilliam Boyce, Aradia Ensemble, Kevin MallonA♭ Major14B187 BPM
Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) by George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin MallonRinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena)George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin MallonD Minor57A155 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1062: I. - AllegroCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachC Minor45A106 BPM
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo by Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella IstropolitanaConcerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: LargoArcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella IstropolitanaD♭ Major13B118 BPM
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 by Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque SolistsDixit Dominus, ZWV 66: Judicabit - After Psalm 109Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque SolistsF♯ Minor311A121 BPM
Le roi s'amuse: Final by Léo Delibes, Slovak Philharmonic, Ondrej LenardLe roi s'amuse: FinalLéo Delibes, Slovak Philharmonic, Ondrej LenardA Minor18A94 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6110424995422363

End: 0.6154239177703857