Mavra - Arr. Stravinsky & Dushkin: Chanson russe
Igor Stravinsky, Nathan Milstein, Georges Pludermacher
Tchaikovsky: Violin Concertos & Encores
3:24 January 1, 2006
BPM
133
Key
B♭ Major
Camelot
6B

Embed

Share Link

Mavra - Arr. Stravinsky & Dushkin: Chanson russe - Igor Stravinsky, Nathan Milstein, Georges Pludermacher Information

Acousticness
97%
Danceability
36%
Energy
2%
Instrumentalness
10%
Liveness
7%
Loudness
49%
Speechiness
4%
Valence
29%
Popularity
Loudness
-30.586 dB

Summary

Igor Stravinsky, Nathan Milstein, Georges Pludermacher's 'Mavra - Arr. Stravinsky & Dushkin: Chanson russe' came out on January 1, 2006. The duration of Mavra - Arr. Stravinsky & Dushkin: Chanson russe is about 3 minutes long, at 3:24. Based on our data, "Mavra - Arr. Stravinsky & Dushkin: Chanson russe" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Tchaikovsky: Violin Concertos & Encores". In this album, this song's track order is #11. Based on our statistics, Mavra - Arr. Stravinsky & Dushkin: Chanson russe's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mavra - Arr. Stravinsky & Dushkin: Chanson russe BPM

With Mavra - Arr. Stravinsky & Dushkin: Chanson russe by Igor Stravinsky, Nathan Milstein, Georges Pludermacher having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Mavra - Arr. Stravinsky & Dushkin: Chanson russe Key

This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia by Aram Khachaturian, London Symphony OrchestraKhachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and PhrygiaAram Khachaturian, London Symphony OrchestraA♭ Major14B88 BPM
String Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionato by Bedřich Smetana, Pavel Haas QuartetString Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionatoBedřich Smetana, Pavel Haas QuartetE Minor19A84 BPM
Concerto for Oboe and Small Orchestra in D Major, Op. 144: I. Allegro moderato by Richard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel HardingConcerto for Oboe and Small Orchestra in D Major, Op. 144: I. Allegro moderatoRichard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel HardingD Major210B133 BPM
Suite for Piano, Op. 25: I. Präludium by Arnold Schoenberg, Glenn GouldSuite for Piano, Op. 25: I. PräludiumArnold Schoenberg, Glenn GouldB♭ Major26B105 BPM
Copland: Symphony No. 3: III. Andantino quasi allegretto - by Aaron Copland, San Francisco Symphony, Michael Tilson ThomasCopland: Symphony No. 3: III. Andantino quasi allegretto -Aaron Copland, San Francisco Symphony, Michael Tilson ThomasE Minor09A71 BPM
Symphony No. 1 in G Minor: III. Scherzo: Allegro non troppo - moderato assai by Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore KucharSymphony No. 1 in G Minor: III. Scherzo: Allegro non troppo - moderato assaiVasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore KucharA Minor28A110 BPM
Symphony No. 3 in F Major, Op. 90: 4. Allegro by Johannes Brahms, Berliner Philharmoniker, Claudio AbbadoSymphony No. 3 in F Major, Op. 90: 4. AllegroJohannes Brahms, Berliner Philharmoniker, Claudio AbbadoC Major18B79 BPM
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzone by Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson ThomasTchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzonePyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson ThomasB♭ Minor03A82 BPM
Aleko: Intermezzo by Sergei Rachmaninoff, Berliner Philharmoniker, Lorin MaazelAleko: IntermezzoSergei Rachmaninoff, Berliner Philharmoniker, Lorin MaazelB♭ Major06B90 BPM
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonSchoenberg: Verklärte Nacht, Op. 4: II. Molto rallentandoArnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonE Major212B76 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7448184490203857

End: 0.7479302883148193