"Quatre motets sur des th mes gr goriens, Op. 10: I. Ubi caritas et amor" by Westminster Cathedral Choir, Maurice Duruflé, Martin Baker was released on 2020. The duration of Quatre motets sur des th mes gr goriens, Op. 10: I. Ubi caritas et amor is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Quatre motets sur des th mes gr goriens, Op. 10: I. Ubi caritas et amor's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vexilla Regis: A Sequence of Music from Palm Sunday to Holy Saturday by Westminster Cathedral Choir, Martin Baker, Peter Stevens. The song's track number on the album is #11 out of 21 tracks. Quatre motets sur des th mes gr goriens, Op. 10: I. Ubi caritas et amor is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Quatre motets sur des th mes gr goriens, Op. 10: I. Ubi caritas et amor by Westminster Cathedral Choir, Maurice Duruflé, Martin Baker has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Quatre motets sur des th mes gr goriens, Op. 10: I. Ubi caritas et amor being at 71 BPM, the half-time would be 36 BPM with a double-time of 142 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM | ||
Quatre petites prières de Saint François d’ Assise: II. Tout Puissant, très saint | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Der 13. Psalm, Op. 27 | Johannes Brahms, MDR Leipzig Radio Chorus, Wolf-Dieter Hauschild | G Major | 1 | 9B | 93 BPM | ||
Requiem, Op. 9: Domine Jesu Christe | Maurice Duruflé, Okka von der Damerau, Ljubomir Puškarić, Uladzimir Sinkevich, Bavarian Radio Chorus, Munich Radio Orchestra, Max Hanft, Ivan Repušić | G Minor | 2 | 6A | 176 BPM | ||
Mass for Double Choir: Gloria | Frank Martin, Mikaeli Chamber Choir, Anders Eby | D Minor | 1 | 7A | 86 BPM | ||
Our Father | Maurice Duruflé, Mark Baker, BYU Men's Chorus, Unknown Artist, Rosalind Hall | F Major | 0 | 7B | 74 BPM | ||
Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: III. Siehe, wir preisen. Langsam und sanft | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | F Major | 1 | 7B | 99 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Jephte: Plorate filii Israel plorate | Giacomo Carissimi, Alexander Weimann, Les Voix Baroques | D♭ Major | 2 | 3B | 120 BPM |
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