"Dallapiccola: Liriche greche III, 6 Carmina Alcaei: No. 6, Conclusio. "O conchiglia marina, figlia"" by Luigi Dallapiccola, Hans Zender, Ensemble Intercontemporain, Julie Moffat was released on January 1, 1995. The duration of Dallapiccola: Liriche greche III, 6 Carmina Alcaei: No. 6, Conclusio. "O conchiglia marina, figlia" is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Dallapiccola: Liriche greche III, 6 Carmina Alcaei: No. 6, Conclusio. "O conchiglia marina, figlia"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 20 in Dallapiccola: Canti di prigionia, Frammenti di Saffo ed altre opere vocali by Luigi Dallapiccola, Hans Zender, James Wood. Dallapiccola: Liriche greche III, 6 Carmina Alcaei: No. 6, Conclusio. "O conchiglia marina, figlia" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dallapiccola: Liriche greche III, 6 Carmina Alcaei: No. 6, Conclusio. "O conchiglia marina, figlia" by Luigi Dallapiccola, Hans Zender, Ensemble Intercontemporain, Julie Moffat is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Oiseau de feu (1911 Version): XVIII. Réveil de Kastchei - Mort de Kastchei - Profondes tenèbres | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B♭ Minor | 1 | 3A | 113 BPM | ||
3 Studies for Piano, Op. 18, Sz. 72: No. 3, Rubato - Molto sostenuto | Béla Bartók, Fülöp Ránki | C Major | 1 | 8B | 135 BPM | ||
Rêverie | Fernand de la Tombelle, Munich Radio Orchestra, Herve Niquet | E Major | 1 | 12B | 99 BPM | ||
Tartiniana seconda: IVf. Var. 6, Alla sarabanda (Canon cancrizans) | Luigi Dallapiccola, Daniele Colombo, Ciro Longobardi | A Minor | 0 | 8A | 63 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: I | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation II | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 2 | 9B | 113 BPM | ||
Estancia, Op. 8: Scene 5, El Amanecer - Escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | B♭ Major | 1 | 6B | 140 BPM | ||
Aubade, FP 51a: VIII. Andante. Variation de Diane | Francis Poulenc, Ronald Corp, New London Orchestra, Julian Evans | E Major | 0 | 12B | 178 BPM | ||
Sonatina canonica after Paganini: III. Andante sostenuto | Luigi Dallapiccola, Roberto Prosseda | C Major | 0 | 8B | 75 BPM | ||
String Quartet No. 1 "Métamorphoses nocturnes": Vivace, capriccioso | György Ligeti, The Verona Quartet | D Major | 5 | 10B | 111 BPM |
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