"Qui colis Ausoniam" by Nicolas Gombert, Henry's Eight, Jonathan Brown was released on June 1, 1996. Since Qui colis Ausoniam is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Henry's Eight, Nicolas Gombert's "Gombert: Credo & Other Sacred Music" album is number 4 out of 11. On top of that, United Kingdom appears to be the country where this track was created. Qui colis Ausoniam is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Qui colis Ausoniam by Nicolas Gombert, Henry's Eight, Jonathan Brown to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O malheureuse journée, chanson à 5 | Nicolas Gombert, Huelgas Ensemble, Paul Van Nevel | B Minor | 7 | 10A | 144 BPM | ||
Sheppard: Laudem dicite - 6. Gaudeamus et exsultemus 2 | John Sheppard, The Tallis Scholars, Peter Phillips | D♭ Major | 2 | 3B | 87 BPM | ||
Victoria: Tenebrae Factae Sunt - 1. Tenebrae Factae Sunt | The Tallis Scholars, Peter Phillips | F Minor | 1 | 4A | 80 BPM | ||
Requiem: I. Introit and Kyrie | Michael John Trotta, Tenebrae, Nigel Short | E♭ Major | 0 | 5B | 111 BPM | ||
Lachrimae or Seven Tears: II. Lachrimae antiquae novae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Basse-danse Jouissance vous donneray (Arr. for Wind Ensemble and Percussion by Pascale Boquet) | Thoinot Arbeau, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
Segunda Parte - Morir Cuerdo Y Vivir Loco, Capítulo LXXIV: Requiem, "Lacrimosa Dies Illa" (Anónimo) | Montserrat Figueras, Hespèrion XXI, La Capella Reial De Catalunya, Jordi Savall | G Minor | 1 | 6A | 73 BPM | ||
Ich will schweigen | Johann Hermann Schein, Vox Luminis, Lionel Meunier | D Major | 1 | 10B | 175 BPM | ||
Repons: Caligaverunt oculi mei | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | A♭ Major | 1 | 4B | 80 BPM | ||
Miserere: III. Tibi soli peccavi ; Ecce enim in iniquitatibus conceptus sum - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 1 | 10A | 63 BPM |
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