"Wagner: Tristan und Isolde, WWV 90, Act 3: "Mild und leise" (Isolde)" by Richard Wagner, Christa Ludwig, Otto Klemperer, Philharmonia Orchestra was released on March 9, 2018. Since Wagner: Tristan und Isolde, WWV 90, Act 3: "Mild und leise" (Isolde) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 164 in the song's album "The Complete Recitals on Warner Classics". In this album, this song's track order is #148. Furthermore, we believe that the track originated from United Kingdom. Wagner: Tristan und Isolde, WWV 90, Act 3: "Mild und leise" (Isolde) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Wagner: Tristan und Isolde, WWV 90, Act 3: "Mild und leise" (Isolde) by Richard Wagner, Christa Ludwig, Otto Klemperer, Philharmonia Orchestra having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM | ||
Bizet: Carmen, Act 2: "Toréador, en garde" (Amis d'Escamillo) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Kostas Smoriginas | F Major | 1 | 7B | 115 BPM | ||
Turandot / Act 1: "Gira la cote!" | Giacomo Puccini, John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | F♯ Major | 0 | 2B | 74 BPM | ||
Symphony No. 1 in D Major: 3. Feierlich und gemessen, ohne zu schleppen - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | G Minor | 0 | 6A | 56 BPM | ||
Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
Sinfonie Nr. 3 c-Moll, Op. 78, "Orgelsinfonie": 2. Maestoso - Allegro - Più allegro - Molto allegro - Pesante (Ein Schweinchen names Babe): I. Adagio - Allegro moderato - | Camille Saint-Saëns, Imrich Szabo, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A♭ Major | 1 | 4B | 93 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
Symphony No. 1 in G Minor: II. Andante commodamente | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 0 | 5B | 75 BPM |
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