Wolfgang Amadeus Mozart, Daniel Barenboim made "Mozart: Piano Sonata No. 2 in F Major, K. 280: III. Presto" available on August 2, 2013. The duration of Mozart: Piano Sonata No. 2 in F Major, K. 280: III. Presto is about 3 minutes long, at 3:00. Based on our data, "Mozart: Piano Sonata No. 2 in F Major, K. 280: III. Presto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Daniel Barenboim's "Mozart: Complete Piano Sonatas and Variations" album is number 6 out of 213. Based on our statistics, Mozart: Piano Sonata No. 2 in F Major, K. 280: III. Presto's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mozart: Piano Sonata No. 2 in F Major, K. 280: III. Presto by Wolfgang Amadeus Mozart, Daniel Barenboim to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spanish Romance, Op. 74: The Smuggler (Transcr. for Concert Performance by Carl Tausig) | Robert Schumann, Yuja Wang | F♯ Major | 7 | 2B | 151 BPM | ||
Chopin: 12 Etudes, Op. 25: No. 1 in A-Flat Major, "Aeolian Harp" | Frédéric Chopin, Nikolai Lugansky | A♭ Major | 0 | 4B | 66 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Laudate pueri Dominum, RV 600: Sit nomen Domini benedictum | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | G Major | 4 | 9B | 92 BPM | ||
Requiem In D Minor, K. 626: Sequence: VI. Lacrimosa Dies Illa | Slovak Philharmonic, Jaroslava Horska, Vladimir Ruso, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Jozef Kundlák, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Minor | 1 | 7A | 180 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Mozart: Flute Sonata in G Major, K. 379: II. (f) Andantino cantabile. Variation V (Transcr. of Violin Sonata) | Wolfgang Amadeus Mozart, Emmanuel Pahud, Eric Le Sage | G Major | 0 | 9B | 89 BPM |
Section: 0.7475876808166504
End: 0.7512750625610352