- BPM
- 82
- Key
- F Major
- Camelot
- 7B
Variations on a Hungarian Folksong "The Peacock": III. Più mosso - Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra Information
- Acousticness
- 89%
- Danceability
- 21%
- Energy
- 22%
- Instrumentalness
- 80%
- Liveness
- 40%
- Loudness
- 72%
- Speechiness
- 3%
- Valence
- 14%
- Popularity
- 0%
- Loudness
- -16.847 dB
Summary
"Variations on a Hungarian Folksong "The Peacock": III. Più mosso" by Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra was released on October 1, 1990. With Variations on a Hungarian Folksong "The Peacock": III. Più mosso being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain's "Kodaly: Hary Janos Suite" album is number 11 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Variations on a Hungarian Folksong "The Peacock": III. Più mosso is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Variations on a Hungarian Folksong "The Peacock": III. Più mosso BPM
We consider the tempo marking of Variations on a Hungarian Folksong "The Peacock": III. Più mosso by Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
Variations on a Hungarian Folksong "The Peacock": III. Più mosso Key
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Made Of Dreams | Return Of Dream | B♭ Minor | 2 | 3A | 172 BPM | |
 | Piano Trio No. 2 in E Minor, Op. 67: I. Andante - Moderato | Dmitri Shostakovich, Emanuel Ax, Isaac Stern, Yo-Yo Ma | C Major | 0 | 8B | 87 BPM | |
 | Poème de l'amour et de la mer, Op. 19: Interlude | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | A♭ Major | 0 | 4B | 108 BPM | |
 | 9 Piano pieces, Op. 3: No. 8. Allegretto grazioso | Zoltán Kodály, Adam Fellegi | F♯ Major | 1 | 2B | 139 BPM | |
 | Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 1. At The Castle Gate | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 92 BPM | |
 | Ein deutsches Requiem, Op.45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit" | Johannes Brahms, Barbara Hendricks, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 0 | 9B | 92 BPM | |
 | Katonadal (Soldier's song) | Zoltán Kodály, Pecs Bela Bartok Male Choir, Tamás Lakner | E♭ Minor | 1 | 2A | 91 BPM | |
 | Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | F Major | 1 | 7B | 104 BPM | |
 | The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | A Minor | 1 | 8A | 109 BPM | |
 | Symphony No.6 In F, Op.68 -"Pastoral": 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 118 BPM |
- ISRC
- GBLWD9010611
- Label
- L-M Records/RCA Records
Section: 0.8478794097900391
End: 0.8508832454681396