"Katonadal (Soldier's song)" by Zoltán Kodály, Pecs Bela Bartok Male Choir, Tamás Lakner was released on July 15, 2014. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Zoltán Kodály, Tamás Lakner's "Kodaly: Choral Works for Male Voices" album is number 9 out of 45. On top of that, Hungary appears to be the country where this track was created. In terms of popularity, Katonadal (Soldier's song) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Katonadal (Soldier's song) by Zoltán Kodály, Pecs Bela Bartok Male Choir, Tamás Lakner to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
The music key of this track is E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto: 1. Moderato | Bohuslav Martinů, Heinz Holliger, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 81 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Purcell: Chacony in G Minor, Z. 730 | Henry Purcell, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Francesca da Rimini, Op. 25, Scene 1: My answer Is plain (Lanceotto) | Sergei Rachmaninoff, Svetla Vassileva, Misha Didyk, Sergey Murzaev, Gennady Bezzubenkov, Evgeny Akimov, BBC Singers, BBC Philharmonic Orchestra, Gianandrea Noseda | G Major | 3 | 9B | 174 BPM | ||
8 Pieces, Op. 39: No. 4. Canzonetta | Reinhold Glière, Felix Froschhammer, Florian Rohn | B♭ Major | 2 | 6B | 121 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
Esti dal - Nachtlied | Klaus-Martin Bresgott, Zoltán Kodály, Athesinus Consort Berlin, Arno Schneider, Katja Kunze, Heike O. Scheel, Stephan M. Gähler, Stefan Quirin Drexlmeier | F Major | 0 | 7B | 130 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Cello Concerto in C Minor, Op. 21: II. Adagio - | Kurt Atterberg, Truls Mørk, Symphony Orchestra Of Norrlands Opera, Kristjan Järvi | D♭ Major | 1 | 3B | 174 BPM |
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