Gottfried Heinrich Stölzel, Xuefei Yang's 'Stözel / Arr Bach, JS: Notebook for Anna Magdalena Bach: 'Bist Du Bei Mir', BWV 508' came out on May 15, 2013. The duration of Stözel / Arr Bach, JS: Notebook for Anna Magdalena Bach: 'Bist Du Bei Mir', BWV 508 is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Stözel / Arr Bach, JS: Notebook for Anna Magdalena Bach: 'Bist Du Bei Mir', BWV 508's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Sojourn - The Very Best of Xuefei Yang". In this album, this song's track order is #3. Stözel / Arr Bach, JS: Notebook for Anna Magdalena Bach: 'Bist Du Bei Mir', BWV 508 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Stözel / Arr Bach, JS: Notebook for Anna Magdalena Bach: 'Bist Du Bei Mir', BWV 508 by Gottfried Heinrich Stölzel, Xuefei Yang having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Chaconne | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 2 | 3B | 114 BPM | ||
Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | ||
The Notebook of Anna Magdalena Bach: Aria "Bist du bei mir" BWV 508 | Gottfried Heinrich Stölzel, Klaus Mertens, Ton Koopman, Amsterdam Baroque Orchestra | B Major | 0 | 1B | 138 BPM | ||
L’enharmonique | Jean-Philippe Rameau, Víkingur Ólafsson | G Minor | 0 | 6A | 107 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Intermezzo, Op. 119/1 | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D Major | 0 | 10B | 65 BPM | ||
Amadis de Gaule, W. G39: Act II Scene V: Gigue | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 132 BPM | ||
Keyboard Sonata in E Major, Kk. 135 (L. 224): Allegro | Domenico Scarlatti, Ivo Pogorelich | E Major | 1 | 12B | 181 BPM | ||
Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 104 BPM | ||
Du bist die Ruh, Op. 59 No. 3, D. 776 (Arr. X. van Dijk for String Quartet) | Franz Schubert, Signum Quartet | G Major | 0 | 9B | 168 BPM |
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