Claude Debussy, Nieuw Sinfonietta Amsterdam, Ernitine Stoop's 'Sonata for Flute, Viola and Harp, L. 137: III. Finale - Allegro moderato ma risoluto' came out on August 19, 2002. With this song being about 5 minutes long, at 4:44, "Sonata for Flute, Viola and Harp, L. 137: III. Finale - Allegro moderato ma risoluto" by Claude Debussy, Nieuw Sinfonietta Amsterdam, Ernitine Stoop is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 15 in Debussy: Harp Works by Claude Debussy, Ernitine Stoop, Nieuw Sinfonietta Amsterdam. Sonata for Flute, Viola and Harp, L. 137: III. Finale - Allegro moderato ma risoluto is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sonata for Flute, Viola and Harp, L. 137: III. Finale - Allegro moderato ma risoluto by Claude Debussy, Nieuw Sinfonietta Amsterdam, Ernitine Stoop is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | D Minor | 0 | 7A | 128 BPM | ||
Le Carnaval des Animaux, R.125: 4. Tortues | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | B♭ Major | 0 | 6B | 83 BPM | ||
Full Moon (Arr. Lewin for Guitar) | Ludovico Einaudi, Miloš Karadaglić | A♭ Major | 0 | 4B | 101 BPM | ||
24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 0 | 5B | 71 BPM | ||
Symphony No. 25 in G minor, K.183: 1. Allegro con brio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 2 | 6A | 80 BPM | ||
Abdelazer: Rondeau | Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 66 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
5 Poèmes de Charles Baudelaire, CD 70, L. 64: No. 3, Le Jet d'Eau (Arr. for Piano by Andreas J. Winkler) | Claude Debussy, Carmen Stefanescu | A Major | 1 | 11B | 99 BPM |
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