"Schlof Majn Kind" by Alexander Zhitomirsky, Cheri Rose Katz, Alan Mallach, Evelyn Estava was released on May 1, 2022. With Schlof Majn Kind being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Cheri Rose Katz's "Momeleh" album is number 7 out of 18. On top of that, United States appears to be the country where this track was created. Based on our statistics, Schlof Majn Kind's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Schlof Majn Kind by Alexander Zhitomirsky, Cheri Rose Katz, Alan Mallach, Evelyn Estava to be Allegro (fast, quick, and bright) because the track has a tempo of 153 BPM, a half-time of 76BPM, and a double-time of 306 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 5/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wesendonck Lieder, WWV 91: Stehe still | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Major | 1 | 8B | 88 BPM | ||
Evensong | Liza Lehmann, Steuart Bedford, Catherine Wyn-Rogers | A♭ Major | 0 | 4B | 75 BPM | ||
6 Lieder, Op. 31: No. 1. Es muss was Wunderbares sein | Franz Ries, Oskar von Redwitz, Äneas Humm, Judit Polgar | E♭ Major | 0 | 5B | 82 BPM | ||
Ines di Castro: "Cari giorni" (Romanza der Ines) | Giuseppe Persiani, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | A♭ Minor | 1 | 1A | 113 BPM | ||
St. Matthew Passion, BWV 244 / Pt. 2: No. 47 Aria (Alto): "Erbarme dich, mein Gott" | Johann Sebastian Bach, Anne Sofie von Otter, Fredrik From, Baroque Concerto Copenhagen, Lars Ulrik Mortensen | B♭ Minor | 1 | 3A | 79 BPM | ||
Missa Sacra Op. 147: IV. Offertorium | Robert Schumann, Marianne Crebassa, Les Cris De Paris, Geoffroy Jourdain | A♭ Major | 1 | 4B | 173 BPM | ||
Panis Angelicus: Panis Angelicus | César Franck, Cecilia Bartoli, Cinzia Maurizio, Luigi Piovano, Daniele Rossi | G Major | 1 | 9B | 171 BPM | ||
Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Yves Castagnet, Anaïs Bertrand, Anaïs Moreau, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
À Chloris | Reynaldo Hahn, Benjamin Appl, James Baillieu | D Major | 0 | 10B | 70 BPM | ||
Qual mormorio giocondo: Recitative: Qual mormorio giocondo | Alessandro Melani, Ruth Ziesak, Reinhold Friedrich, Karoly Botvay | F♯ Major | 1 | 2B | 78 BPM |
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