Murray Perahia's 'Sonata No. 3 in B minor, Op. 58: II. Scherzo: Molto vivace' came out on 1973. The duration of Sonata No. 3 in B minor, Op. 58: II. Scherzo: Molto vivace is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Sonata No. 3 in B minor, Op. 58: II. Scherzo: Molto vivace's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 59 in the song's album "Original Album Classics - Murray Perahia". In this album, this song's track order is #6. Sonata No. 3 in B minor, Op. 58: II. Scherzo: Molto vivace is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata No. 3 in B minor, Op. 58: II. Scherzo: Molto vivace by Murray Perahia having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in B-flat Major for Cello, Strings and Basso continuo, RV 423: III. Allegro | Antonio Vivaldi, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | A Major | 1 | 11B | 108 BPM | ||
3 Romances for Violin and Piano, Op. 22: II. Allegretto | Clara Schumann, Lisa Batiashvili, Alice Sara Ott | G Minor | 0 | 6A | 93 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Cinquième concert: II. La Cupis | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 136 BPM | ||
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | D♭ Major | 0 | 3B | 174 BPM | ||
Kinderszenen, Op.15: 2. Kuriose Geschichte | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 66 BPM | ||
Symphony No. 5 in B Flat Major, D. 485: II. Andante con moto | Franz Schubert, Chamber Orchestra of Europe, Claudio Abbado | E♭ Major | 1 | 5B | 81 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 78 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM |
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