"20 Mazurkas, Op. 50: No. 7 Poco vivace (Tempo Oberka)" by Karol Szymanowski, Martin Roscoe was released on December 6, 1996. The duration of 20 Mazurkas, Op. 50: No. 7 Poco vivace (Tempo Oberka) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. 20 Mazurkas, Op. 50: No. 7 Poco vivace (Tempo Oberka)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Szymanowski: Piano Works, Vol. 2". In this album, this song's track order is #3. 20 Mazurkas, Op. 50: No. 7 Poco vivace (Tempo Oberka) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 20 Mazurkas, Op. 50: No. 7 Poco vivace (Tempo Oberka) by Karol Szymanowski, Martin Roscoe having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite suite en 15 images: IV. Berceuse aux etoiles | Jacques Ibert, Hae Won Chang | C Major | 0 | 8B | 73 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Krol Roger (King Roger), Op. 46: Act III: Syc ofiarny, wartki plomien! (Roxana, Roger, Shepherd, Chorus, Edirisi) | Karol Szymanowski, Wojtek Drabowicz, Olga Pasichnyk, Krzysztof Szmyt, Piotr Beczala, Romuald Tesarowicz, Stefania Toczyska, Ryszard Wroblewski, Justyna Kabala, Maciej Dunin-Borkowski, Alla Polacca Choir, Polish National Opera Chorus, Polish National Opera Orchestra, Jacek Kaspszyk | D Major | 5 | 10B | 69 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
Stabat Mater, Op. 53: III. Matko, zrodlo wszechmilosci (Soprano, Alto, Soprano & Alto Chorus) | Karol Szymanowski, Edward Gardner, BBC Symphony Orchestra, Lucy Crowe, Pamela Helen Stephen, BBC Symphony Chorus | E Minor | 0 | 9A | 101 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 4 Bjorken (The Birch) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 64 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM |
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