Jacques Ibert, Hae Won Chang made "Petite suite en 15 images: IV. Berceuse aux etoiles" available on January 1, 1992. With Petite suite en 15 images: IV. Berceuse aux etoiles being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jacques Ibert's "Ibert: Petite Suite / Histoires / Les Rencontres" album is number 10 out of 36. Petite suite en 15 images: IV. Berceuse aux etoiles is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Petite suite en 15 images: IV. Berceuse aux etoiles by Jacques Ibert, Hae Won Chang to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
15 Pieces, Op. 3: Fantasmagorie | Gabriel Pierné, Hae Won Chang | A Minor | 1 | 8A | 62 BPM | ||
Piano Concerto No. 3 in B Minor, Op. 89: III. Finale: Vivace | Johann Nepomuk Hummel, Hae Won Chang, Budapest Symphony Orchestra, Tamas Pal | B Minor | 2 | 10A | 117 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
Keyboard Sonata in B-Flat Major, Op. 10 No. 3: II. Tempo di minuetto con espressione e andante | Muzio Clementi, HyeJin Kim | F Major | 1 | 7B | 112 BPM | ||
Jocelyn, Op. 100: Berceuse (Arr. for Piano 4 Hands) | Benjamin Godard, Zeynep Ucbasaran, Sergio Gallo | F Major | 0 | 7B | 134 BPM | ||
Lullaby on an Ancient Irish Tune | Rebecca Clarke, Philip Dukes, Sophia Rahman | D♭ Major | 0 | 3B | 68 BPM | ||
18 Études, Op. 109: No. 7, Berceuse | Franz Burgmüller, Carl Petersson | F Major | 0 | 7B | 85 BPM | ||
Prelude | William Alwyn, Ashley Wass | E Minor | 0 | 9A | 170 BPM | ||
6 Consolations, S. 172: No. 4 in D-Flat Major (Quasi Adagio) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 99 BPM |
Section: 0.6875720024108887
End: 0.6913137435913086