Johann Sebastian Bach, Pablo Ferrandez's 'Cello Suite No. 1 in G Major, BWV 1007: I. Prélude - NIGHT SESSIONS' came out on October 8, 2021. The duration of Cello Suite No. 1 in G Major, BWV 1007: I. Prélude - NIGHT SESSIONS is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Cello Suite No. 1 in G Major, BWV 1007: I. Prélude - NIGHT SESSIONS's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Cello Suite No. 1 in G Major, BWV 1007: I. Prélude - NIGHT SESSIONS and no other songs are present in the album, we classify this track as a single. In terms of popularity, Cello Suite No. 1 in G Major, BWV 1007: I. Prélude - NIGHT SESSIONS is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Cello Suite No. 1 in G Major, BWV 1007: I. Prélude - NIGHT SESSIONS by Johann Sebastian Bach, Pablo Ferrandez is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in D Minor, Op. 16b, R. 211: IV. Romance | Camille Saint-Saëns, Gabriel Schwabe, Malmö Symphony Orchestra, Marc Soustrot | E Major | 0 | 12B | 83 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: I. Prélude - NIGHT SESSIONS | Johann Sebastian Bach, Pablo Ferrandez | G Major | 3 | 9B | 93 BPM | ||
Still | Ola Gjeilo | C Major | 0 | 8B | 71 BPM | ||
Satie Variation (Arr. for Violin & Piano after Gymnopédie No. 1 by Svetoslav Karparov) | Erik Satie, Esther Abrami, Iyad Sughayer | G Major | 1 | 9B | 85 BPM | ||
Sonata No. 1 in G Minor, BWV 1001: I. Adagio | Johann Sebastian Bach, Andrej Kurti | D♭ Minor | 1 | 12A | 89 BPM | ||
Tissue No. 7 | Philip Glass, Camille Thomas, Julien Brocal | B♭ Major | 0 | 6B | 75 BPM | ||
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
Consolations, S. 172: No. 3, Lento placido | Franz Liszt, Khatia Buniatishvili | D♭ Major | 0 | 3B | 70 BPM |
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