"Lagrime di San Pietro: XI. È non fu il pianto suo rivo" by Orlande de Lassus, Gallicantus, Gabriel Crouch was released on September 2, 2013. The duration of Lagrime di San Pietro: XI. È non fu il pianto suo rivo is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Lagrime di San Pietro: XI. È non fu il pianto suo rivo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Orlande de Lassus, Gallicantus, Gabriel Crouch's "Lassus: Lagrime Di San Pietro" album is number 11 out of 21. The popularity of Lagrime di San Pietro: XI. È non fu il pianto suo rivo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lagrime di San Pietro: XI. È non fu il pianto suo rivo by Orlande de Lassus, Gallicantus, Gabriel Crouch to be Vivace (lively and fast) because the track has a tempo of 167 BPM, a half-time of 84BPM, and a double-time of 334 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Missa pro Defunctis (1544): Introitus: "Requiem aeternam" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 77 BPM | ||
La Magdalena | Pierre Attaingnant, Hopkinson Smith | D♭ Minor | 2 | 12A | 92 BPM | ||
Motet Jesu Meine Freude (Bwv 227) | Musica Amphion, Gesualdo Consort Amsterdam | E♭ Minor | 1 | 2A | 80 BPM | ||
Prophetiae Sibyllarum: Prologue | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 1 | 9B | 83 BPM | ||
Burial Sentences: VI. Thou Knowest, Lord | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | B♭ Major | 1 | 6B | 124 BPM | ||
Prophetiae Sibyllarum: No. 1, Sibylla Persica "Virgine matre" | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 2 | 9B | 78 BPM | ||
Mouton: Ave Maria, Virgo Serena - 1. Ave Maria, Gratia Plena | Jean Mouton, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 82 BPM | ||
Qui en la garde du haut Dieu pour jamais se retire (Ps. 91) | Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella Amsterdam | B Minor | 2 | 10A | 91 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM |
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