"Wu Xing (The Five Elements): 3. Huo (Fire)" by Qigang Chen, Shanghai Symphony Orchestra, Long Yu was released on June 28, 2019. With Wu Xing (The Five Elements): 3. Huo (Fire) being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu's "Gateways. Chen – Kreisler – Rachmaninov" album is number 3 out of 24. The popularity of Wu Xing (The Five Elements): 3. Huo (Fire) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wu Xing (The Five Elements): 3. Huo (Fire) by Qigang Chen, Shanghai Symphony Orchestra, Long Yu to be Presto (very, very fast) because the track has a tempo of 178 BPM, a half-time of 89BPM, and a double-time of 356 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Beau soir, L. 6 (Arr. J. Heifetz for Violin & Piano) | Claude Debussy, Coco Tomita, Simon Callaghan | F♯ Minor | 0 | 11A | 77 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Sam Xiag | Qigang Chen, Ensemble Hua Xia | A Minor | 1 | 8A | 148 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Zwei Dialoge mit Nachwort: 1. Hochzeitswalzer | Valentin Silvestrov, Alexei Lubimov, Munich Chamber Orchestra, Christoph Poppen | F♯ Major | 0 | 2B | 175 BPM | ||
5 Bagatelles for clarinet and piano, Op.23: 4. Forlana - Allegretto grazioso | Gerald Finzi, Emma Johnson, Malcolm Martineau | F♯ Major | 0 | 2B | 185 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Cantata No. 4: No. 2, Pastoral | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | D♭ Minor | 0 | 12A | 85 BPM |
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