"Akt I: Vor allem nun: der Speer kehr uns zurück" by Richard Wagner, Jonas Kaufmann, Georg Zeppenfeld, Philippe Jordan was released on March 1, 2024. The duration of Akt I: Vor allem nun: der Speer kehr uns zurück is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Akt I: Vor allem nun: der Speer kehr uns zurück's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Parsifal by Richard Wagner, Jonas Kaufmann. The song's track number on the album is #7 out of 43 tracks. Based on our data, United States was the country where this track was produced or recorded. Akt I: Vor allem nun: der Speer kehr uns zurück is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Akt I: Vor allem nun: der Speer kehr uns zurück by Richard Wagner, Jonas Kaufmann, Georg Zeppenfeld, Philippe Jordan has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Akt I: Vor allem nun: der Speer kehr uns zurück being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marschner: Hans Heiling, Op. 80: "Gönne mir ein wort der Liebe" (Konrad) | Heinrich Marschner, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Puccini: Turandot, Act 3: "Diecimila anni al nostro Imperatore!" (Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Major | 0 | 6B | 86 BPM | ||
Akt I: Vor allem nun: der Speer kehr uns zurück | Richard Wagner, Jonas Kaufmann, Georg Zeppenfeld, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
Spring Symphony, Op. 44, Part I: Introduction. Shine out (chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, London Symphony Chorus | D♭ Major | 0 | 3B | 98 BPM | ||
Messa di Gloria: XII. Crucifixus | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | D Major | 1 | 10B | 62 BPM | ||
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 2: Dir, der Unberührbaren - Du schwebst zu Höhen | Gustav Mahler, Leah Crocetto, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Philharmonic, Gustavo Dudamel | E Major | 2 | 12B | 76 BPM | ||
Salome, Op. 54 / Scene 2: "Jauchze nicht, du Land Palästina" | Richard Strauss, Cheryl Studer, Marianne Rorholm, Bryn Terfel, Clemens Bieber, Bengt Rundgren, William Murray, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | A♭ Major | 3 | 4B | 128 BPM | ||
Iolanthe: Go Away Madam | Elizabeth Woollett, Jill Pert, Richard Suart, New D'Oyly Carte Opera | E♭ Major | 2 | 5B | 52 BPM | ||
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | Gustav Mahler, Jonas Kaufmann, Jonathan Nott, Wiener Philharmoniker | F Major | 1 | 7B | 88 BPM |
Section: 0.6271176338195801
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