Jurgis Karnavichius's 'Kinderszenen (Scenes from the Childhood), Op. 15 : VII. Träumerei (Dreaming)' came out on January 1, 2003. The duration of Kinderszenen (Scenes from the Childhood), Op. 15 : VII. Träumerei (Dreaming) is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Kinderszenen (Scenes from the Childhood), Op. 15 : VII. Träumerei (Dreaming)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 14 in A Gentle Breeze by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Kinderszenen (Scenes from the Childhood), Op. 15 : VII. Träumerei (Dreaming) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Kinderszenen (Scenes from the Childhood), Op. 15 : VII. Träumerei (Dreaming) by Jurgis Karnavichius is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berceuse, op. 57, Des-Dur: Wiegenlied | Peter Schmalfuss | D♭ Major | 0 | 3B | 94 BPM | ||
Etude No. 3 in E Major, Op. 10: "Tristesse" | Frédéric Chopin, Peter Schmalfuss | E Major | 0 | 12B | 67 BPM | ||
Mandolin Concerto in C, R.425: 1. Allegro | Antonio Vivaldi, Pepe Romero, I Musici | C Major | 2 | 8B | 103 BPM | ||
Debussy / Arr Hartmann: Préludes, L. 63/2c, Book 1: VII. La fille aux cheveux de lin (Arr. Hartmann for Violin & Piano) | Claude Debussy, Itzhak Perlman | G Major | 0 | 9B | 120 BPM | ||
14 Songs, Op. 34: No. 14, Vocalise (Arr. A. Harris for Violin & Orchestra) | Sergei Rachmaninoff, Isaac Stern, Frank Brieff, Columbia Symphony Orchestra | E Minor | 2 | 9A | 88 BPM | ||
Songs Without Words, Op. 19b: No. 4, Moderato, MWV U73 | Felix Mendelssohn, Marie-Catherine Girod | A Major | 0 | 11B | 71 BPM | ||
Messias, HV 56: XXVIII. Halleluja | George Frideric Handel, Alexandr Dmitrijew, Lettisches Sinfonieorchester | D Major | 4 | 10B | 112 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Vladimir Fedoseyev, Moscow RTV Symphony Orchestra | E Minor | 0 | 9A | 139 BPM | ||
Waltzes, Op. 64: No. 1, Waltz in D-Flat Major "Minute Waltz" | Frédéric Chopin, Martijn van den Hoek | A♭ Major | 1 | 4B | 73 BPM | ||
Romance in F Major for Violin and Orchestra, Op. 50 | Isaac Stern, Boston Symphony Orchestra, Seiji Ozawa | F Major | 0 | 7B | 87 BPM |
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