Johan Helmich Roman, Ilona Maros, Béla Szilágyi, Capella Savaria, Pál Németh's 'New Year Cantata: Recitative: Wie wil tu' came out on January 1, 2015. With New Year Cantata: Recitative: Wie wil tu being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "Roman: Secular Cantatas". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hungary. In terms of popularity, New Year Cantata: Recitative: Wie wil tu is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With New Year Cantata: Recitative: Wie wil tu by Johan Helmich Roman, Ilona Maros, Béla Szilágyi, Capella Savaria, Pál Németh having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Airs for the Spring: Crocus: I. Aria: Moderato | James Oswald, The Broadside Band | D♭ Minor | 2 | 12A | 92 BPM | ||
Then Svenska Messan: O Herre thens aldra högstes enfödde Son | Johan Helmich Roman, Drottningholm Baroque Ensemble, Anne-Sofie von Otter, Hillevi Martinpelto, Anders Öhrwall | A♭ Major | 0 | 4B | 78 BPM | ||
Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 0 | 3B | 78 BPM | ||
Concerti a più istrumenti in G Major, Op. 6 No. 5, II. Aria | Evaristo Felice Dall'Abaco, Davide Monti, Il Tempio Armonico, Orchestra Barocca di Verona, Alberto Rasi | F♯ Minor | 1 | 11A | 94 BPM | ||
Irene Sdegnata: Ouverture: Allegro | Alessandro Marcello, Venice Baroque Orchestra | D♭ Major | 2 | 3B | 72 BPM | ||
Concerto No. 5 in B-Flat Major, SF 944 "La Cetra": III. Presto ma non molto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | A Major | 4 | 11B | 115 BPM | ||
Bilagers musiquen, BeRI 2, "Drottningholmsmusique": XXII. (Allegro) [Royal wedding music] | Johan Helmich Roman, Helsingborg Symphony Orchestra, Andrew Manze | D Major | 1 | 10B | 128 BPM | ||
Symphony in C Major, H. 659, Wq. 182/3: III. Allegretto | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Concerto grosso in B-Flat Major, 1 No.3: IV. | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 146 BPM | ||
Sinfonia No. 9 in G Minor, RosS 533.9: V. Menuet | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 1 | 11A | 98 BPM |
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