Johann Friedrich Fasch, Il Gardellino's 'Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air' came out on October 4, 2011. With Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 19 in Fasch: Concertos for Various Instruments by Johann Friedrich Fasch, Il Gardellino. Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air by Johann Friedrich Fasch, Il Gardellino is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata da camera in C Major, Op. 4, No. 1: III. Allegro assai | Johann Gottlieb Janitsch, Il Gardellino | F♯ Major | 1 | 2B | 79 BPM | ||
Flute Concerto in E Minor: II. Adagio un poco andante | Franz Benda, Jan De Winne, Il Gardellino | D♭ Major | 3 | 3B | 176 BPM | ||
Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 1: No. 11. Aria, "Ich folge dir, verklärter Held" (Tenor) | Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Kieran Carrel | D Major | 4 | 10B | 124 BPM | ||
Libera me in C Minor, HocJ E.2: VI. Dies illa, dies irae | Niccolò Jommelli, Gaia Petrone, Il Gardellino, Peter Van Heyghen | B Minor | 1 | 10A | 136 BPM | ||
Trio Sonata No. 3 in A Major: I. Largo | William Boyce, Simon Standage, Collegium Musicum 90 | E♭ Major | 0 | 5B | 84 BPM | ||
Overture in G Minor: VI. Aria | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | F♯ Minor | 1 | 11A | 153 BPM | ||
Concerto No 6 in C minor - Adadio | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 1 | 11A | 117 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Polonaise | Cologne Chamber Orchestra | A Minor | 0 | 8A | 95 BPM | ||
Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 2: No. 1. Einleitung | Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn | A♭ Minor | 0 | 1A | 114 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM |
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