Paul Hindemith, Gary Poffenbarger, United States Air Force Band of the Rockies, Brass Choir's 'Symphonic Metamorphosis on Themes of Carl Maria von Weber: IV. March (arr. TSgt.Poffenbarger)' came out on May 1, 2011. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "United States Air Force Band of the Rockies: American Fanfare". In this album, this song's track order is #6. The popularity of Symphonic Metamorphosis on Themes of Carl Maria von Weber: IV. March (arr. TSgt.Poffenbarger) is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Symphonic Metamorphosis on Themes of Carl Maria von Weber: IV. March (arr. TSgt.Poffenbarger) by Paul Hindemith, Gary Poffenbarger, United States Air Force Band of the Rockies, Brass Choir having a BPM of 163 with a half-time of 82 BPM and a double-time of 326 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | ||
3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM | ||
Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
Quartet for Strings in E Minor Op.121: III Allegro | Gabriel Fauré, Quatuor Ébène | G Major | 1 | 9B | 83 BPM | ||
Ibert: 3 Pièces brèves: II. Andante | Jacques Ibert, Les Vents Français, Tullio Serafin, Philharmonia Orchestra | A♭ Major | 0 | 4B | 61 BPM | ||
Mahler: Symphony No. 2, "Resurrection": V. (b) Wieder sehr breit - Etwas energischer im Tempo - | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F Minor | 2 | 4A | 69 BPM | ||
Suite in the Old Style: II. Ballet | Alfred Schnittke, Daniel Hope, Alexey Botvinov | D Major | 3 | 10B | 117 BPM |
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