Amadeo Vives, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà made "Doña Francisquita: Fandango" available on January 1, 1996. The duration of Doña Francisquita: Fandango is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Doña Francisquita: Fandango's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Viva la Zarzuela ! by Maria Bayo. The song's track number on the album is #1 out of 17 tracks. In terms of popularity, Doña Francisquita: Fandango is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Doña Francisquita: Fandango by Amadeo Vives, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Doña Francisquita: Fandango being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Pêcheurs de perles: Ce sont eux, les voici! (Zurga, Nadir, Leïla, Nourabad, Chieftains) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Janine Micheau, Jacques Mars, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | C Minor | 1 | 5A | 72 BPM | ||
Molinos de Viento: Concertante | Marcos Redondo, Delfín Pulido, Felisa Herrero | E Major | 2 | 12B | 77 BPM | ||
La Chulapona: "Como Soy Chulapona" | Teresa Berganza | G Major | 3 | 9B | 120 BPM | ||
El Amor Brujo: Danza ritual del fuego | Manuel de Falla, Kazuki Yamada, Orchestre de la Suisse Romande | E Minor | 1 | 9A | 135 BPM | ||
Die Fledermaus / Act I: Nr. 4 Terzett: "So muss allein ich bleiben" | Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 131 BPM | ||
Alli la Tienes | Amadeo Vivos, Amadeo Vives | G Major | 5 | 9B | 174 BPM | ||
La entrada (Pasodoble) | Real Orquesta Sinfónica de Sevilla, Spanish Folklore | G Minor | 4 | 6A | 118 BPM | ||
Otello: Oh Dio! Qual mal strepito è questo! | Gioachino Rossini, Hera Hyesang Park, Emily D'Angelo, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Die Kaiserin, Akt III: "'s Glück ist in der Näh'" | Leo Fall, Orchester des Kölner Rundfunks, Franz Marszalek, Anny Schlemm, Franz Fehringer, Willy Schneider, Gretl Schörg, Willy Hofmann, Paul Bürks, Annelie Jansen, Ursula Feldhege, Franz Wolf, Hans Remagen, Julius Gamon | F♯ Minor | 1 | 11A | 121 BPM | ||
Coro de los Gitanos de Il Trovatore (De "Una Noche en la Opera") | The Oscar's Orchestra | G Major | 2 | 9B | 135 BPM |
Section: 0.7706921100616455
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