"Schumann: Carnaval, Op. 9: No. 12, Chopin" by Robert Schumann, György Cziffra was released on October 1, 2021. With Schumann: Carnaval, Op. 9: No. 12, Chopin being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Schumann: Études symphoniques, Toccata & Carnaval". In this album, this song's track order is #30. Furthermore, we believe that the track originated from France. Based on our statistics, Schumann: Carnaval, Op. 9: No. 12, Chopin's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schumann: Carnaval, Op. 9: No. 12, Chopin by Robert Schumann, György Cziffra having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kreisleriana, Op. 16: No. 4, Sehr langsam | Robert Schumann, Hélène Grimaud | B♭ Major | 0 | 6B | 70 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
Melodie | Alessandra Ammara, Robert Schumann, N/A | C Major | 0 | 8B | 68 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto | Claude Debussy, Monique Haas | D♭ Minor | 0 | 12A | 81 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Yo-Yo Ma | F Minor | 0 | 4A | 115 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM |
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