Richard Strauss, Rudolf Kempe, Staatskapelle Dresden made "Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VI. Courante" available on January 1, 2013. The duration of Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VI. Courante is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VI. Courante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 103 in the song's album "Strauss: Complete Orchestral Works". In this album, this song's track order is #75. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VI. Courante's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VI. Courante by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Piano Concerto in G Major, M. 83: I. Allegramente | Maurice Ravel, Yuja Wang, Tonhalle Orchester Zürich, Lionel Bringuier | D Major | 1 | 10B | 95 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | ||
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich | Robert Schumann, Staatskapelle Dresden, Wolfgang Sawallisch | E♭ Minor | 1 | 2A | 79 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: II. Adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | C Major | 0 | 8B | 54 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM |
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