Giuseppe Gazzaniga, John Aler, Julie Kaufmann, Jean-Luc Chaignaud, Munich Radio Orchestra, Stefan Soltesz's 'Don Giovanni o sia il convitato di pietra: Con vostra permissione' had a release date set for February 5, 2021. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Don Giovanni o sia il convitato di pietra: Con vostra permissione's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 141 in the song's album "Opera Rarities". In this album, this song's track order is #18. Don Giovanni o sia il convitato di pietra: Con vostra permissione is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Don Giovanni o sia il convitato di pietra: Con vostra permissione by Giuseppe Gazzaniga, John Aler, Julie Kaufmann, Jean-Luc Chaignaud, Munich Radio Orchestra, Stefan Soltesz having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D Major, H. 663: I. Allegro di molto | Carl Philipp Emanuel Bach, Café Zimmermann, Pablo Valetti | B Minor | 2 | 10A | 154 BPM | ||
Der Fischer und das Milchmädchen: XVI. Andante agitato | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
L 'isola d 'Alcina: Atto II: Io; mi aver toccata (Recitativo) | Giuseppe Gazzaniga, L'Arte del mondo, Werner Ehrhardt, Alice Madeddu, Margherita Maria Sala, Enrico Iviglia, Florian Götz, José Antonio López | F Minor | 3 | 4A | 78 BPM | ||
Missa in Angustiis "Lord Nelson Mass": II. Gloria | Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson, Abigail Fischer, Keith Jameson, Kevin Deas | F Major | 2 | 7B | 78 BPM | ||
When Crossing the Wilderness SHZ 469 | Laestadian Lutheran Church, Kaitlyn Huhta, Katja Vaatainen, Ashley Niemela | F Major | 0 | 7B | 76 BPM | ||
Missa in Angustiis "Lord Nelson Mass": III. Qui tollis | Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson, Kevin Deas | F Major | 2 | 7B | 78 BPM | ||
Don Giovanni o sia il convitato di pietra: Overture. Allegro con spirito | Giuseppe Gazzaniga, Munich Radio Orchestra, Stefan Soltesz | A Major | 1 | 11B | 164 BPM | ||
Don Giovanni o sia il convitato di pietra: Overture. Andante | Giuseppe Gazzaniga, Munich Radio Orchestra, Stefan Soltesz | A Major | 0 | 11B | 92 BPM | ||
Overture in G Major, Op. 8, No. 5: I. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | G Major | 2 | 9B | 132 BPM | ||
Te Deum, WAB 45: V. In te, Domine, speravi | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio Chorus | F Major | 2 | 7B | 98 BPM |