Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon made "Overture in G Major, Op. 8, No. 5: I. Allegro" available on March 1, 2006. The duration of Overture in G Major, Op. 8, No. 5: I. Allegro is about 3 minutes long, at 3:18. Based on our data, "Overture in G Major, Op. 8, No. 5: I. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 27 in Arnold, S.: 6 Overtures, Op. 8 / Macbeth (Incidental Music) by Samuel Arnold. Based on our statistics, Overture in G Major, Op. 8, No. 5: I. Allegro's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Overture in G Major, Op. 8, No. 5: I. Allegro by Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture in F Major, Op. 8, No. 3: III. Vivace | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | F Major | 1 | 7B | 168 BPM | ||
Symphony in D Minor, Op. 2 No. 8 "Worcester Overture": II. Largo - andante | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 108 BPM | ||
Concerto for Flute and Guitar, Op. 8: III. Allegro | Ferdinando Carulli, Janos Balint, Pal Paulikovics, Budapest Strings | E Minor | 1 | 9A | 110 BPM | ||
Trumpet Concerto in D Major, TWV 51:D7: II. Allegro | Georg Philipp Telemann, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 3 | 3B | 107 BPM | ||
Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Kyrie | Joseph Haydn, Carol Vaness, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Sir Neville Marriner, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | ||
Violin Concerto in B-Flat Major, Op. 7 No. 2: II. Andante moderato | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | E♭ Major | 0 | 5B | 96 BPM | ||
Symphony in A Major, Eisen A1: III. Allegro | Leopold Mozart, Toronto Chamber Orchestra, Kevin Mallon | A Major | 0 | 11B | 97 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Concerto a due cori No. 2, HWV 333: V. Allegro ma non troppo – Adagio | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 4 | 6B | 122 BPM | ||
Sinfonia concertante in F Major, Op. 38: III. Adagio | Franz Krommer, Orchestra della Svizzera Italiana, Howard Griffiths, Bruno Grossi, Marco Schiavon, Robert Kowalski | B♭ Major | 1 | 6B | 177 BPM |
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