"Fantasies For Orchestra: Capriccio - Produced" by Karel Husa, Orchestra des Soloistes de Paris was released on 1998. Since Fantasies For Orchestra: Capriccio - Produced is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Karel Husa's "KAREL HUSA: The Trojan Women , Fantasies For Orchestra , Divertimento For Brass Ensemble And Percussion" album is number 6 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, Fantasies For Orchestra: Capriccio - Produced's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fantasies For Orchestra: Capriccio - Produced by Karel Husa, Orchestra des Soloistes de Paris to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concertino da Camera: I. Allegro con moto | Jacques Ibert, Nobuya Sugawa, Yutaka Sado, BBC Philharmonic | F Major | 2 | 7B | 121 BPM | ||
Second Suite in F Major, Op. 28 No. 2, H. 106: I. March | Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | F Major | 2 | 7B | 119 BPM | ||
Apotheosis of this Earth: II. Tragedy of Destruction | Karel Husa, Ithaca College Wind Ensemble, Rodney Winther | A Major | 1 | 11B | 140 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: V. The Song of the Grave | Richard Strauss, Wolfgang Sawallisch, Philadelphia Orchestra | F♯ Minor | 1 | 11A | 61 BPM | ||
La sirenita: 2. En la superficie | Juan Pablo Fernández Ramos | F Major | 1 | 7B | 70 BPM | ||
Lincolnshire Posy: III. Rufford Park Poachers | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | F Minor | 0 | 4A | 79 BPM | ||
Alleluia! Laudamus te | Alfred Reed, Paul Riedo, Dallas Wind Symphony, Frederick Fennell | B♭ Major | 1 | 6B | 82 BPM | ||
Concerto for Soprano Saxophone and Wind Ensemble: I. Prelude | Timothy McAllister, ASU Wind Ensemble | G Minor | 5 | 6A | 102 BPM | ||
Dr. Merryheart: V. Variation 4: Merryheart As a Chivalrous Knight Chases Bluebeard (Als ritterlicher Kampe verfolgt Merryheart den Blaubart) | RTÉ National Symphony Orchestra, Havergal Brian | F Major | 2 | 7B | 92 BPM | ||
Petrushka, K12 (1947 Version): IIIa. The Moor's Room – IIIb. Dance of the Ballerina | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM |
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