"Toccata in D Minor, BWV 913: II. Adagio" by Johann Sebastian Bach, Yannick Nézet-Séguin was released on October 12, 2021. With Toccata in D Minor, BWV 913: II. Adagio being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 260 out of 450 in Classics for Autumn: Bach by Johann Sebastian Bach, Various Artists. Toccata in D Minor, BWV 913: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Toccata in D Minor, BWV 913: II. Adagio by Johann Sebastian Bach, Yannick Nézet-Séguin is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): I. Adagio | Johann Gottlieb Goldberg, London Baroque | D Major | 0 | 10B | 87 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Matthäus-Passion, BWV 244 / Erster Teil: No. 1 "Kommt, ihr Töchter, helft mir klagen" | Johann Sebastian Bach, English Baroque Soloists, The Monteverdi Choir, The London Oratory Junior Choir, John Eliot Gardiner | E♭ Minor | 1 | 2A | 81 BPM | ||
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Concerto for Oboe & Violin in C Minor, BWV 1060R: II. Adagio | Johann Sebastian Bach, Lisa Stewart, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl | C Minor | 1 | 5A | 95 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
Dixit Dominus, HWV 232: Die Torrente in via bibet | George Frideric Handel, Angela Kazimierczuk, Katherine Fuge, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 68 BPM | ||
Matthäus-Passion, BWV 244, Erster Teil: 11. Evangelista, Jesus, Judas "Er antwortete und sprach" | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Frits Vanhulle, Ian Bostridge, Franz-Joseph Selig | D♭ Minor | 1 | 12A | 88 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM |
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