"Wreaths for Our Graves" by Arthur Sullivan, Kantos Chamber Choir, Ellie Slorach was released on March 6, 2020. Since Wreaths for Our Graves is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 21 in the song's album "The Long Day Closes: Sullivan Part Songs". In this album, this song's track order is #18. Based on our statistics, Wreaths for Our Graves's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Wreaths for Our Graves by Arthur Sullivan, Kantos Chamber Choir, Ellie Slorach having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Don Pasquale / Act I: Bella siccome un angelo | Gaetano Donizetti, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | D♭ Major | 1 | 3B | 74 BPM | ||
Teil 7 - Folge 32: Professor van Dusen und das Auge des Zyklopen | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Herbert Stass, Arnold Marquis, Helmut Wildt, Eva Manhardt, Susanna Bonaséwicz, Ingrid Kaehler | F Minor | 1 | 4A | 63 BPM | ||
Don Giovanni, K. 527, Act I: "Batti, batti, o bel Masetto" | Wolfgang Amadeus Mozart, Kathleen Battle, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 89 BPM | ||
Old American Songs I: V. I Bought me a Cat (Arr. I. Fine) | Aaron Copland, Nathaniel Stampley, St. Charles Singers, Elgin Symphony Orchestra, Robert Hanson | F Major | 2 | 7B | 94 BPM | ||
I Am the Very Model of a Modern Major-General (from "The Pirates of Penzance") | William Schwenck Gilbert, Arthur Sullivan, John Cartier, James Walker, Royal Philharmonic Orchestra | E♭ Major | 3 | 5B | 101 BPM | ||
H.M.S. Pinafore, Act I: Sorry Her Lot | Gilbert & Sullivan Society of Houston | F Major | 1 | 7B | 173 BPM | ||
"Free from his fetters grim" | Arthur Sullivan, Philip Potter, Royal Philharmonic Orchestra, Sir Malcolm Sargent | E♭ Major | 1 | 5B | 76 BPM | ||
Ruddigore (or, The Witch's Curse) (1987 - Remaster), Act I: Welcome gentry for your entry (Chorus) | Arthur Sullivan, Glyndebourne Chorus, Sir Malcolm Sargent, Pro Arte Orchestra | G Major | 4 | 9B | 139 BPM | ||
The Pirates of Penzance: Pour, Oh Pour, the Pirate Sherry | Gareth Jones | D Major | 1 | 10B | 94 BPM |
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