Arthur Sullivan, Glyndebourne Chorus, Sir Malcolm Sargent, Pro Arte Orchestra made "Ruddigore (or, The Witch's Curse) (1987 - Remaster), Act I: Welcome gentry for your entry (Chorus)" available on 1999. The duration of Ruddigore (or, The Witch's Curse) (1987 - Remaster), Act I: Welcome gentry for your entry (Chorus) is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Ruddigore (or, The Witch's Curse) (1987 - Remaster), Act I: Welcome gentry for your entry (Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, Sir Malcolm Sargent/Lt. Col. Sir Vivian Dunn, Sir Malcolm Sargent, Sir Vivian Dunn's "Gilbert & Sullivan: Ruddigore - The Merchant of Venice Suite" album is number 13 out of 33. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Ruddigore (or, The Witch's Curse) (1987 - Remaster), Act I: Welcome gentry for your entry (Chorus)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Ruddigore (or, The Witch's Curse) (1987 - Remaster), Act I: Welcome gentry for your entry (Chorus) by Arthur Sullivan, Glyndebourne Chorus, Sir Malcolm Sargent, Pro Arte Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trial by Jury: I Love Him | Gilbert & Sullivan Society of Houston | G Major | 3 | 9B | 75 BPM | ||
H.M.S. Pinafore, Act I: Overture | Gilbert & Sullivan Society of Houston | E♭ Major | 4 | 5B | 140 BPM | ||
Porgy And Bess: Summertime | George Gershwin, John DeMain | B♭ Major | 0 | 6B | 167 BPM | ||
Rigoletto, Act I: "Caro nome" | Giuseppe Verdi, Leontyne Price, Henry Lewis | E Major | 1 | 12B | 82 BPM | ||
Puccini: Turandot, Act 2: "La mia vittoria" (Calaf, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 3 | 4A | 93 BPM | ||
HMS Pinafore: We Sail the Ocean Blue | Alfie Boe, New D'Oyly Carte Opera, Simon Wilding, Stephen Davis | C Major | 3 | 8B | 104 BPM | ||
Trial by Jury: Oh, Joy Unbounded | Arthur Sullivan, Julia Goss, Colin Wright, Michael Rayner, Kenneth Sandford, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | D Major | 1 | 10B | 171 BPM | ||
Don Giovanni, K. 527, Act II: Canzonetta: Deh, vieni alla finestra | Wolfgang Amadeus Mozart, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | D Major | 0 | 10B | 137 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 3: Nur deiner harr ich, niemals Verlorne! (Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | F♯ Major | 1 | 2B | 89 BPM | ||
Emmeline: Act Two: "I know nothing" | Santa Fe Opera | B♭ Minor | 1 | 3A | 67 BPM |
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