Johann Sebastian Bach, Arleen Auger, Julia Hamari, Philippe Huttenlocher, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling made "Gott der Herr ist Sonn und Schild, BWV 79: Recitative: Gottlob, wir wissen den rechten Weg (Bass)" available on January 1, 2000. With Gott der Herr ist Sonn und Schild, BWV 79: Recitative: Gottlob, wir wissen den rechten Weg (Bass) being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 19 in Bach, J.S.: Cantatas, Bwv 77-79 by Johann Sebastian Bach, Helmuth Rilling. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Gott der Herr ist Sonn und Schild, BWV 79: Recitative: Gottlob, wir wissen den rechten Weg (Bass) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Gott der Herr ist Sonn und Schild, BWV 79: Recitative: Gottlob, wir wissen den rechten Weg (Bass) by Johann Sebastian Bach, Arleen Auger, Julia Hamari, Philippe Huttenlocher, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Le Rossignol-en-Amour: 14ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | A Major | 0 | 11B | 65 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: IV. Sarabande | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 100 BPM | ||
Brandenburg Concerto No. 2 In F Major, Bwv 1047: II. Andante | Cologne Chamber Orchestra, Johann Sebastian Bach | D Minor | 1 | 7A | 124 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | F Minor | 1 | 4A | 108 BPM |
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