"Valses poeticos: No. 1. Melodic Waltz" by Enrique Granados, Douglas Riva was released on March 4, 2001. With Valses poeticos: No. 1. Melodic Waltz being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Enrique Granados, Douglas Riva's "Granados, E.: Piano Music, Vol. 4 - Romantic Waltzes / Poetic Waltzes / Aragonese Rhapsody" album is number 25 out of 39. On top of that, Hong Kong appears to be the country where this track was created. Valses poeticos: No. 1. Melodic Waltz is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Valses poeticos: No. 1. Melodic Waltz by Enrique Granados, Douglas Riva to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 1. Presto | Franz Joseph Haydn, Alfred Brendel | E Minor | 2 | 9A | 140 BPM | ||
Chaconne in sol maggiore : Variazione 10 | Lazar Berman | G Minor | 0 | 6A | 71 BPM | ||
Goyescas (Suite): 3. El Fandango del Candil | Enrique Granados, Alicia de Larrocha | B♭ Major | 1 | 6B | 92 BPM | ||
Nocturne No. 6 in G Minor, Op. 15, No. 3 | Frédéric Chopin, Maria João Pires | F Minor | 1 | 4A | 76 BPM | ||
El pelele (The Straw Man) | Enrique Granados, Douglas Riva | B♭ Major | 2 | 6B | 80 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
Granados: 12 Danzas españolas: No. 5, Andaluza | Enrique Granados, Manuel Barrueco | C Minor | 0 | 5A | 97 BPM |
Section: 0.7070908546447754
End: 0.7113637924194336