Pierre Boulez, Pi-hsien Chen's 'Troisième sonate pour piano (1955-57): II Miroir' came out on 2005. Troisième sonate pour piano (1955-57): II Miroir appears to be safe for all ages as it is not explicit. There are a total of 23 in the song's album "Notations & Piano Sonatas". In this album, this song's track order is #23. In terms of popularity, Troisième sonate pour piano (1955-57): II Miroir is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Troisième sonate pour piano (1955-57): II Miroir by Pierre Boulez, Pi-hsien Chen having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Souvenir d'un lieu cher, Op. 42: 1. Meditation | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 114 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: III. Allegro | Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez | F♯ Minor | 1 | 11A | 80 BPM | ||
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
Petrouchka / Tableau III: Chez le Maure | Igor Stravinsky, Cleveland Orchestra, Pierre Boulez | A♭ Major | 0 | 4B | 99 BPM | ||
Symphony No. 3 In A Minor, Op. 56, MWV N 18 - "Scottish": 2. Vivace non troppo | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | F Major | 3 | 7B | 132 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
Le Marteau sans maître: VII. Après "L'artisanat furieux" | Pierre Boulez, Ensemble Orchestral Contemporain, Daniel Kawka | E♭ Major | 1 | 5B | 98 BPM | ||
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM |
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