Carmen, Opera Suite No. 1: Les Dragons d'Alcala, Act 2
Georges Bizet, Marko Munih, Russian Symphony Orchestra Ljubljana
Bizet: Carmen, Opera Suite - L'Arlesienne Suite, Op. 23
1:24 January 1, 2009
BPM
82
Key
B♭ Major
Camelot
6B

Embed

Share Link

Carmen, Opera Suite No. 1: Les Dragons d'Alcala, Act 2 - Georges Bizet, Marko Munih, Russian Symphony Orchestra Ljubljana Information

Acousticness
95%
Danceability
11%
Energy
11%
Instrumentalness
90%
Liveness
10%
Loudness
64%
Speechiness
4%
Valence
4%
Popularity
Loudness
-21.877 dB

Summary

"Carmen, Opera Suite No. 1: Les Dragons d'Alcala, Act 2" by Georges Bizet, Marko Munih, Russian Symphony Orchestra Ljubljana was released on January 1, 2009. With Carmen, Opera Suite No. 1: Les Dragons d'Alcala, Act 2 being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 18 in Bizet: Carmen, Opera Suite - L'Arlesienne Suite, Op. 23 by Georges Bizet, Marko Munih, Russian Symphony Orchestra Ljubljana. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Carmen, Opera Suite No. 1: Les Dragons d'Alcala, Act 2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Carmen, Opera Suite No. 1: Les Dragons d'Alcala, Act 2 BPM

The tempo marking of Carmen, Opera Suite No. 1: Les Dragons d'Alcala, Act 2 by Georges Bizet, Marko Munih, Russian Symphony Orchestra Ljubljana is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.

Carmen, Opera Suite No. 1: Les Dragons d'Alcala, Act 2 Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Frühlingsstimmen, Op. 410 by Johann Strauss II, Slovak Philharmonic, Noriaki KitamuraFrühlingsstimmen, Op. 410Johann Strauss II, Slovak Philharmonic, Noriaki KitamuraB♭ Major06B181 BPM
Le roi s'amuse: Final by Léo Delibes, Slovak Philharmonic, Ondrej LenardLe roi s'amuse: FinalLéo Delibes, Slovak Philharmonic, Ondrej LenardA Minor18A94 BPM
Carmen, WD 31, Act II: Gypsy Song. Les tringles des sistres tintaient (Carmen, Fasquita, Zuniga, Mercedes) by Georges Bizet, Graciela Alperyn, Slovak Radio Symphony Orchestra, Ali Rahbari, Giorgio Lamberti, Alan Titus, Doina Palade, Dalia Schaechter, Ann Liebeck, Danilo Rigosa, Slovak Philharmonic Chorus, Bratislava Children's ChoirCarmen, WD 31, Act II: Gypsy Song. Les tringles des sistres tintaient (Carmen, Fasquita, Zuniga, Mercedes)Georges Bizet, Graciela Alperyn, Slovak Radio Symphony Orchestra, Ali Rahbari, Giorgio Lamberti, Alan Titus, Doina Palade, Dalia Schaechter, Ann Liebeck, Danilo Rigosa, Slovak Philharmonic Chorus, Bratislava Children's ChoirF Major27B108 BPM
Gayane Suite No. 2: VI. Sabre Dance by Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre AnichanovGayane Suite No. 2: VI. Sabre DanceAram Khachaturian, St. Petersburg State Symphony Orchestra, Andre AnichanovE♭ Major85B91 BPM
Cinderella Suite No. 1, Op. 107: VII. Cinderella's Waltz by Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore KucharCinderella Suite No. 1, Op. 107: VII. Cinderella's WaltzSergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore KucharG Major39B194 BPM
Raymonda, Op. 57: Act III - Variation IV by Alexander Glazunov, Moscow Symphony Orchestra, Alexander AnissimovRaymonda, Op. 57: Act III - Variation IVAlexander Glazunov, Moscow Symphony Orchestra, Alexander AnissimovD Minor07A90 BPM
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto by Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinViolin Concerto in D Minor, Op. 47: III. Allegro, ma non tantoJean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinD Major210B112 BPM
Carmen, Act I, No.2 : Scène et Choeur: Regardez donc cette petite qui semble vouloir nous parler (Moralès/Micaëla/Dragons) by Georges Bizet, Ludovic Tézier/Inva Mula/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De ToulouseCarmen, Act I, No.2 : Scène et Choeur: Regardez donc cette petite qui semble vouloir nous parler (Moralès/Micaëla/Dragons)Georges Bizet, Ludovic Tézier/Inva Mula/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De ToulouseB♭ Major16B89 BPM
Rhapsodie Orientale, Op. 29: 1. Andante by Alexander Glazunov, Orchestre Symphonique de Montréal, Charles DutoitRhapsodie Orientale, Op. 29: 1. AndanteAlexander Glazunov, Orchestre Symphonique de Montréal, Charles DutoitD♭ Major03B89 BPM
Te Deum: Tu rex gloriae, Christe by Georges Bizet, Katarina Jovanovic, Philippe Do, Pas-de-Calais North Regional Choir, Orchestre National de Lille, Jean-Claude CasadesusTe Deum: Tu rex gloriae, ChristeGeorges Bizet, Katarina Jovanovic, Philippe Do, Pas-de-Calais North Regional Choir, Orchestre National de Lille, Jean-Claude CasadesusF Major17B81 BPM
ISRC
USSJ10810915
Label
L-M Records/RCA Records

Section: 0.6922502517700195

End: 0.6969075202941895