Lou Harrison, John Cage, PostClassical Ensemble, Angel Gil-Ordóñez made "Double Music" available on April 14, 2017. Since Double Music is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Lou Harrison, Tim Fain, Michael Boriskin, PostClassical Ensemble, Angel Gil-Ordóñez's "Harrison: Violin Concerto, Grand Duo & Double Music" album is number 9 out of 9. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Double Music's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Double Music by Lou Harrison, John Cage, PostClassical Ensemble, Angel Gil-Ordóñez to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": I. Suo (The Marsh) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | F♯ Major | 1 | 2B | 119 BPM | ||
Harp Concerto: II. Adagietto | Einojuhani Rautavaara, Marielle Nordmann, Helsinki Philharmonic Orchestra, Leif Segerstam | A♭ Major | 0 | 4B | 67 BPM | ||
HFTMRX | KNOXVILLETRACKZ | D♭ Minor | 0 | 12A | 174 BPM | ||
7 Papillons: No. 1. — | Kaija Saariaho, Anssi Karttunen | D Major | 1 | 10B | 56 BPM | ||
Phantom Waltz | Meredith Monk, Bruce Brubaker, Ursula Oppens | C Major | 0 | 8B | 120 BPM | ||
Stillness | Hilary Hahn, Hauschka | A Major | 0 | 11B | 75 BPM | ||
Pastorale (Arr. for Violin & Chamber Ensemble) | Igor Stravinsky, Ilya Gringolts, Casey Hill, Scott MacLeod, Juan Ferrer, Steve Harriswangler | F♯ Major | 0 | 2B | 175 BPM | ||
Paris | Meredith Monk, Ursula Oppens | A Minor | 1 | 8A | 69 BPM | ||
Umi e (Toward the Sea): I - The Night | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | F♯ Major | 0 | 2B | 71 BPM | ||
Sonatina for Piano 4 Hands: II. Andante | György Ligeti, Pierre-Laurent Aimard, Irina Kataeva | F Major | 0 | 7B | 79 BPM |
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