"Albinoni: Concerto a cinque in C Major, Op. 10 No. 9: II. Larghetto" by Tomaso Albinoni, Claudio Scimone, Giuliano Carmignola, I Solisti Veneti was released on 1970. With Albinoni: Concerto a cinque in C Major, Op. 10 No. 9: II. Larghetto being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 23 in Albinoni's Adagios by Tomaso Albinoni, Claudio Scimone, I Solisti Veneti. In terms of popularity, Albinoni: Concerto a cinque in C Major, Op. 10 No. 9: II. Larghetto is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Albinoni: Concerto a cinque in C Major, Op. 10 No. 9: II. Larghetto by Tomaso Albinoni, Claudio Scimone, Giuliano Carmignola, I Solisti Veneti is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata Da Camera No. 10 in F Major, Op. 5: V. Giga (Allegro) | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | E Major | 3 | 12B | 134 BPM | ||
Concerto for 2 Oboes in C Major, Op. 7, No. 11: I. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | E Major | 2 | 12B | 74 BPM | ||
Concerto in F minor for oboe, strings and basso continuo: II. Largo | Georg Philipp Telemann, Han De Vries, Alma Musica Amsterdam, Bob van Asperen, Wouter Möller | E Minor | 0 | 9A | 36 BPM | ||
12 Trio Sonatas, Op. 2, No. 6: I.-III. Allemanda - Corrente - Giga | Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | G Major | 1 | 9B | 114 BPM | ||
Les Indes Galantes - Suites des airs à Jouer (Sinfonies): II. Air pour les Amants qui suivent Bellone (Lent, tendrement) | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | D♭ Major | 0 | 3B | 134 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: III. Adagio | Georg Philipp Telemann, Boris Begelman | E♭ Minor | 1 | 2A | 49 BPM | ||
Premier livre de pieces de clavecin - Troisième Suite: Le coucou | Louis-Claude Daquin, George Malcolm | E Minor | 3 | 9A | 122 BPM | ||
Symphony in A Major, J-C 62: I. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 3 | 4B | 119 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 5: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 2 | 7A | 110 BPM | ||
Concerto for Oboe d'amore, Strings and Continuo in A: 2. Affettuoso | Antonio Lotti, Heinz Holliger, I Musici | E Major | 1 | 12B | 82 BPM |
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