"Concerto in F minor for oboe, strings and basso continuo: II. Largo" by Georg Philipp Telemann, Han De Vries, Alma Musica Amsterdam, Bob van Asperen, Wouter Möller was released on April 3, 2006. The duration of Concerto in F minor for oboe, strings and basso continuo: II. Largo is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Concerto in F minor for oboe, strings and basso continuo: II. Largo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 45 in the song's album "Telemann, Bach & Vivaldi: Oboe Concertos". In this album, this song's track order is #19. Concerto in F minor for oboe, strings and basso continuo: II. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto in F minor for oboe, strings and basso continuo: II. Largo by Georg Philipp Telemann, Han De Vries, Alma Musica Amsterdam, Bob van Asperen, Wouter Möller having a BPM of 36 with a half-time of 18 BPM and a double-time of 72 BPM, we would consider this track to have a Grave (very slow) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Concerto for Four Harpsichords in A Minor, BWV 1065: I. — | Johann Sebastian Bach, Bob van Asperen, Bernhard Klapprott, Carsten Lohff, Marcello Busi, Melante Amsterdam | A♭ Minor | 4 | 1A | 97 BPM | ||
Quartet in G Major: II. Allegro ma non troppo | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 144 BPM | ||
Concerto a cinque No. 11, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 2 | 11A | 65 BPM | ||
Concerto for Three Violins and Strings in D Major, BWV 1064: III. Allegro | Johann Sebastian Bach, Simon Standage, Collegium Musicum 90, Micaela Comberti, Miles Golding | D Major | 2 | 10B | 107 BPM | ||
Concerto No. 4 in G Major, BWV1049, III. Presto | Consortium Musicum | G Major | 2 | 9B | 89 BPM | ||
Oboe Concerto in G Minor, Op. 9 No. 8: III. Allegro | London Harpsichord Ensemble, Sarah Francis | G Minor | 3 | 6A | 106 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 144 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: III. Allegro moderato | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 182 BPM | ||
Musique de table 'Tafelmusik', Solo Sonata in G minor (oboe & strings): VI. Allegro | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | F♯ Minor | 3 | 11A | 111 BPM | ||
Violin Concerto No. 1 in A Minor, BWV 1041: III. Allegro assai | Johann Sebastian Bach, Simon Standage, The English Concert, Trevor Pinnock | D♭ Major | 3 | 3B | 112 BPM |
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