Picker: Old and Lost Rivers - Tobias Picker, Christoph Eschenbach, Houston Symphony Information

Acousticness: 63%
Danceability: 7%
Energy: 2%
Instrumentalness: 3%
Liveness: 10%
Loudness: 45%
Speechiness: 4%
Valence: 4%
Popularity: 1%
Loudness: -32.775 dB

Summary

"Picker: Old and Lost Rivers" by Tobias Picker, Christoph Eschenbach, Houston Symphony was released on January 1, 1991. Since Picker: Old and Lost Rivers is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Picker: The Encantadas, Old and Lost Rivers & Romances and Interludes". In this album, this song's track order is #1. Picker: Old and Lost Rivers is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Picker: Old and Lost Rivers BPM

With Picker: Old and Lost Rivers by Tobias Picker, Christoph Eschenbach, Houston Symphony having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Picker: Old and Lost Rivers Key

This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Estancia, Op. 8: Scene 1, El Amanecer - Introducción y escena	Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo	A Minor	2	8A	70 BPM
The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me	Philip Creasy, Susan Gorton	C Major	1	8B	59 BPM
9. The law is the embodiment	Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey	C Major	3	8B	104 BPM
Poème d'un jour, Op. 21: No. 3, Adieu	Gabriel Fauré, Stéphane Degout, Alain Planès	E Major	1	12B	136 BPM
Four Etudes for Ursula: III (Legato espressivo)	Tobias Picker, Ursula Oppens	A♭ Major	1	4B	79 BPM
Die Meistersinger von Nürnberg, WWV 96: Prelude	Richard Wagner, Pittsburgh Symphony Orchestra, William Steinberg	C Major	3	8B	96 BPM
Celos (Arr. for Violin & String Orchestra by Ken Selden)	Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden	F Major	3	7B	141 BPM
Act III, Scene VII: The Devastated Den	Tobias Picker, Donald Sturrock, Boston Modern Orchestra Project, Andrew Craig Brown, Edwin Vega, Gabriel Preisser, Gail Novak Mosites, Andrey Nemzer, Krista River, John Brancy, Theo Lebow, Elizabeth Futral, John Dooley, Jonathan Blalock, Tynan Davis, Abigail Long, Abi Tenenbaum, Zoe Tekeian, Madeleine Kline, Gil Rose	C Major	1	8B	186 BPM
Adams: Girls of the Golden West, Act I Scene 2: Now he consoles himself	John Adams, Los Angeles Philharmonic, Julia Bullock	A Major	0	11B	79 BPM
12 Romances, Op. 14: No. 11, Spring Waters	Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas	G Major	0	9B	79 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7392501831054688

End: 0.7447876930236816