Jésus Etcheverry, Marcel Cariven, Tony Poncet, Jésus Etcheverry Orchestra's 'La juive : Célébration de la Pâque juive "Dieu que ma voix tremblante"' came out on March 26, 2012. The duration of La juive : Célébration de la Pâque juive "Dieu que ma voix tremblante" is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. La juive : Célébration de la Pâque juive "Dieu que ma voix tremblante"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Tony Poncet". In this album, this song's track order is #4. Based on our statistics, La juive : Célébration de la Pâque juive "Dieu que ma voix tremblante"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La juive : Célébration de la Pâque juive "Dieu que ma voix tremblante" by Jésus Etcheverry, Marcel Cariven, Tony Poncet, Jésus Etcheverry Orchestra having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shchedrin: Carmen Suite: VII. Second Intermezzo (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | E Major | 1 | 12B | 116 BPM | ||
Lucia di Lammermoor, Act II: Appressati, Lucia | Gaetano Donizetti, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D Major | 1 | 10B | 88 BPM | ||
Divertissements: I. Three Divertissements | Dorothy Howell, Rebecca Miller, BBC Concert Orchestra | G Major | 1 | 9B | 76 BPM | ||
When I Was One And Twenty | Anne Thursfield | F Major | 1 | 7B | 92 BPM | ||
Sylvia Ballet Suite: Les Chasseresses | Léo Delibes, Jésus Etcheverry, Orchestre Lamoureux | G Major | 2 | 9B | 74 BPM | ||
L'italiana in Algeri: Atto I. Duetto. Se inclinassi a prender moglie | Gioachino Rossini, Alasdair Kent, Ricardo Seguel, Orchestra Of The 18th Century, Giancarlo Andretta | D Major | 2 | 10B | 148 BPM | ||
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 160 BPM | ||
La Tempestad, Acto I: ¡Angela Mía, Mi Dulce Encanto! (Dúo de Angela y Roberto) - Remastered | Ruperto Chapí, Miguel Ramos Carrión, Pilar Lorengar, Tony Rosado, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid | E♭ Major | 3 | 5B | 102 BPM | ||
キューバ共和国 バヤモの歌 | Pedro Figueredo, Kazuki Yamada, 東京混声合唱団, 斎木ユリ, Japan Philharmonic Orchestra | G Major | 3 | 9B | 116 BPM | ||
Fausto, Act II: Cavatina. Palpita nel seno gelido il cor | Louise Bertin, Karina Gauvin, Les Talens Lyriques, Christophe Rousset | D Major | 4 | 10B | 95 BPM |
Section: 0.8694963455200195
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