"Les Indes galantes, Troisième Entrée, Scène 1 - Scène 2: "Mon abord paraît l'interdire..." (Tacmas, Ali)" by Jean-Philippe Rameau, Jean-Paul Fouchécourt, Jérôme Corréas, Les Arts Florissants, William Christie was released on October 14, 1991. With this song being about 5 minutes long, at 5:01, "Les Indes galantes, Troisième Entrée, Scène 1 - Scène 2: "Mon abord paraît l'interdire..." (Tacmas, Ali)" by Jean-Philippe Rameau, Jean-Paul Fouchécourt, Jérôme Corréas, Les Arts Florissants, William Christie is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 59 in the song's album "Rameau: Les Indes galantes". In this album, this song's track order is #14. Les Indes galantes, Troisième Entrée, Scène 1 - Scène 2: "Mon abord paraît l'interdire..." (Tacmas, Ali) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Indes galantes, Troisième Entrée, Scène 1 - Scène 2: "Mon abord paraît l'interdire..." (Tacmas, Ali) by Jean-Philippe Rameau, Jean-Paul Fouchécourt, Jérôme Corréas, Les Arts Florissants, William Christie having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Sarabande | Robert de Visée, Toby Carr | C Major | 0 | 8B | 83 BPM | ||
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
Premier Livre de pieces de clavecin / Suite In D Minor-Major 1724: 6. Le rappel des oiseaux | Jean-Philippe Rameau, Kenneth Gilbert | F♯ Minor | 5 | 11A | 135 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Concerto For 2 Mandolins, Strings And Continuo In G, RV 532: 3. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 144 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Les Indes galantes, RCT 44, Act II: Un de ces malheureux approche en soupirant | Jean-Philippe Rameau, Katherine Watson, Reinoud Van Mechelen, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 2 | 2B | 124 BPM | ||
Menuets I & II | Jean-Philippe Rameau, Víkingur Ólafsson | G Major | 1 | 9B | 79 BPM |
Section: 0.606562614440918
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