Jacques Offenbach, Heinz Hoppe, Anneliese Rothenberger, Max Hansen, Ferry Gruber, Bruno Fritz, Gisela Litz, Rupert Glawitsch, Else Mühl, Renata George, Ursula SchirrmacHer, Erna Maria Duske, Ilse Hübener, Jürgen Förster, Karl Otto, NDR Chor, NDR Sinfonieorchester, Paul Burkhard's 'Orphee aux enfers (Orpheus in the Underworld) (Sung in German): Act I Scene 1: Ich bin die offentliche Meinung (Offentliche Meinung)' came out on March 1, 2015. With Orphee aux enfers (Orpheus in the Underworld) (Sung in German): Act I Scene 1: Ich bin die offentliche Meinung (Offentliche Meinung) being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Orphee aux enfers (Orpheus in the Underworld) (Sung in German)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Orphee aux enfers (Orpheus in the Underworld) (Sung in German): Act I Scene 1: Ich bin die offentliche Meinung (Offentliche Meinung) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Orphee aux enfers (Orpheus in the Underworld) (Sung in German): Act I Scene 1: Ich bin die offentliche Meinung (Offentliche Meinung) by Jacques Offenbach, Heinz Hoppe, Anneliese Rothenberger, Max Hansen, Ferry Gruber, Bruno Fritz, Gisela Litz, Rupert Glawitsch, Else Mühl, Renata George, Ursula SchirrmacHer, Erna Maria Duske, Ilse Hübener, Jürgen Förster, Karl Otto, NDR Chor, NDR Sinfonieorchester, Paul Burkhard having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo | Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées | G Minor | 1 | 6A | 118 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
Vert-vert "Kakadu": Overture (Arr. F. Hoffman for Orchestra) | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | D Major | 2 | 10B | 132 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Shéhérazade, Op. 35: II. The Legend of the Kalendar Prince | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Minor | 1 | 9A | 74 BPM | ||
Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) | Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 130 BPM | ||
Le carrosse aux cygnes (Arr. Camille & Julie Berthollet & Samuel Pegg d'après Les contes d'Hoffmann de Jacques Offenbach) | Camille Berthollet, Jacques Offenbach, Julie Berthollet, Samuel Pegg, Gavin Greenaway, Puy du Fou Orchestra | G Minor | 2 | 6A | 139 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Pique Dame: Overture | Franz von Suppé, Gustavo Dudamel, Wiener Philharmoniker | D Major | 2 | 10B | 82 BPM |
Section: 0.5979447364807129
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