Johann Nepomuk Hummel, Madoka Inui's 'Recollections of Paganini, WoO 8, S190: II. Quartet' came out on October 13, 2005. The duration of Recollections of Paganini, WoO 8, S190: II. Quartet is about 3 minutes long, at 3:05. Based on our data, "Recollections of Paganini, WoO 8, S190: II. Quartet" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Nepomuk Hummel's "Hummel: Fantasies (Complete)" album is number 13 out of 16. In terms of popularity, Recollections of Paganini, WoO 8, S190: II. Quartet is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Recollections of Paganini, WoO 8, S190: II. Quartet by Johann Nepomuk Hummel, Madoka Inui to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 2. Allegro scherzando | Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 60 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 1. [No Tempo Indication] (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Major | 2 | 8B | 91 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM | ||
Piano Concerto No.2 in G minor, Op.22: 2. Allegro scherzando | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | F Major | 1 | 7B | 111 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio | Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 77 BPM | ||
Schumann: Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andante grazioso) [Live] | Robert Schumann, Martha Argerich, Alexandre Rabinovitch-Barakovsky, Orchestra della Svizzera Italiana | A Major | 1 | 11B | 130 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM |
Section: 0.575772762298584
End: 0.5890605449676514