Symphony No. 1 in B-Flat Major, Op. 2: II. Moderato E Dolce - William Boyce, English String Orchestra, William Boughton, Philharmonia, Austro-Hungarian Haydn Orchestra Information

Acousticness: 99%
Danceability: 17%
Energy: 4%
Instrumentalness: 94%
Liveness: 42%
Loudness: 55%
Speechiness: 4%
Valence: 4%
Popularity: 1%
Loudness: -26.916 dB

Summary

"Symphony No. 1 in B-Flat Major, Op. 2: II. Moderato E Dolce" by William Boyce, English String Orchestra, William Boughton, Philharmonia, Austro-Hungarian Haydn Orchestra was released on November 1, 1996. The duration of Symphony No. 1 in B-Flat Major, Op. 2: II. Moderato E Dolce is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Symphony No. 1 in B-Flat Major, Op. 2: II. Moderato E Dolce's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Jane Austen Companion". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Symphony No. 1 in B-Flat Major, Op. 2: II. Moderato E Dolce is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony No. 1 in B-Flat Major, Op. 2: II. Moderato E Dolce BPM

With Symphony No. 1 in B-Flat Major, Op. 2: II. Moderato E Dolce by William Boyce, English String Orchestra, William Boughton, Philharmonia, Austro-Hungarian Haydn Orchestra having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Symphony No. 1 in B-Flat Major, Op. 2: II. Moderato E Dolce Key

The music key of this track is E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum	Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti	F♯ Minor	3	11A	71 BPM
Keyboard Concerto in G Minor, BWV 1058: III. Allegro assai	Johann Sebastian Bach, Gerald Hambitzer, Cologne Chamber Orchestra, Helmut Muller-Bruhl	B♭ Major	3	6B	123 BPM
Concerto No 5 in G minor - Allegro	Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng	F♯ Minor	3	11A	140 BPM
Concerto grosso No. 4 in D Major, Op. 6: I. Adagio - Allegro	Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Flavio Losco	D♭ Major	3	3B	136 BPM
The Seven Last Words of Christ, Hob.XX:2: Sonata II "Fürwahr, ich sag' es dir" (Grave e cantabile)	Franz Joseph Haydn, Cuarteto Casals	C Minor	0	5A	77 BPM
Flute Sonata in E Minor: III. Presto	Frederick the Great, Berliner Barock Compagney	A♭ Minor	1	1A	128 BPM
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	C Major	3	8B	103 BPM
Suite From Abdelzar: III. Minuet	Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon	F♯ Major	2	2B	87 BPM
Sinfonia in D Major, BWV 1045: II. Adagio e piano sempre	Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Muller-Bruhl	B Minor	1	10A	171 BPM
Ode for St. Cecilia's Day, HWV 76: Overture	George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich	A♭ Minor	0	1A	96 BPM

ISRC: GBAJU9200353
Label: L-M Records/RCA Records

Section: 0.8045217990875244

End: 0.808375358581543