Alexander von Zemlinsky, Barbara Hannigan, Reinbert de Leeuw's 'Liederen Op. 2: Frühlingstag' came out on August 24, 2018. With Liederen Op. 2: Frühlingstag being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vienna: Fin de Siècle by Barbara Hannigan, Reinbert de Leeuw. The song's track number on the album is #18 out of 31 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, Liederen Op. 2: Frühlingstag is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Liederen Op. 2: Frühlingstag by Alexander von Zemlinsky, Barbara Hannigan, Reinbert de Leeuw has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Liederen Op. 2: Frühlingstag being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in D Major, Op. 23: III. Menuetto. Moderato | Ferdinand Ries, Tapiola Sinfonietta, Janne Nisonen | A Major | 0 | 11B | 131 BPM | ||
Bei dir ist es traut | Alma Mahler, Kaleidoscope Chamber Collective, Francesca Chiejina | A♭ Major | 3 | 4B | 69 BPM | ||
Mythes, Op. 30, M29: No. 1, La fontaine d'Aréthuse | Karol Szymanowski, Elizabeth Chang, Steven Beck | E♭ Minor | 2 | 2A | 174 BPM | ||
Strauss, R: 6 Lieder, Op. 37: No. 3, Meinem Kinde | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Strauss, R: 8 Gedichte aus "Letzte Blätter", Op. 10: No. 3, Die Nacht | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Suite d'orchestre dans le style ancien, Op. 2: I. Française. Allegro giocoso | Albéric Magnard, Philharmonisches Orchester Freiburg, Fabrice Bollon | E♭ Major | 1 | 5B | 174 BPM | ||
Fünf Lieder: Die Stille Stadt | Alma Mahler, Barbara Hannigan, Reinbert de Leeuw | D Major | 0 | 10B | 62 BPM | ||
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
String Quartet No. 15 in G Major, D. 887: III. Scherzo. Allegro vivace – Trio. Allegretto | Franz Schubert, Takács Quartet | A Minor | 1 | 8A | 117 BPM | ||
Piano Quintet No. 1 in C Minor, Op. 1: II. Scherzo. Allegro vivace – Trio – Reprise | Ernst von Dohnányi, Marc-André Hamelin, Takács Quartet | B Minor | 1 | 10A | 124 BPM |
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