Georg Philipp Telemann, Cappella Coloniensis, Hans-Martin Linde made "Overture (Suite) in C Major, TWV 55:C3: VII. Der sturmende Aeolus" available on January 1, 2007. The duration of Overture (Suite) in C Major, TWV 55:C3: VII. Der sturmende Aeolus is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Overture (Suite) in C Major, TWV 55:C3: VII. Der sturmende Aeolus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Telemann, G.P.: Overture (Suites) in C Major / E Minor / F Major". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. In terms of popularity, Overture (Suite) in C Major, TWV 55:C3: VII. Der sturmende Aeolus is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Overture (Suite) in C Major, TWV 55:C3: VII. Der sturmende Aeolus by Georg Philipp Telemann, Cappella Coloniensis, Hans-Martin Linde having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Telemann: Nouveaux quatuors "Paris Quartets", No. 1 in D Major, TWV 43:D3: IV. Gaiment | Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt | G Minor | 1 | 6A | 129 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 180 BPM | ||
Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 1 Les Tendres Plaintes - Rondeau | Jean-Philippe Rameau, Jean Rondeau | C Minor | 3 | 5A | 87 BPM | ||
Concerto for 3 Trumpets, Timpani, 2 Oboes, bassoon and Violin in D Major, FWV L:D3: I. Allegro | Johann Friedrich Fasch, Il Gardellino | A♭ Major | 2 | 4B | 99 BPM | ||
Telemann: Quintet for 2 Horns, 2 Violins and Continuo in F Major, TWV 44:7: II. Rondeau | Georg Philipp Telemann, Nikolaus Harnoncourt, Hermann Rohrer, Horst Fischer, Concentus Musicus Wien | D Major | 9 | 10B | 110 BPM | ||
Partie 5 en ut majeur: Aria | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | B Major | 2 | 1B | 100 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Flute Sonata in E Minor: I. Grave | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 83 BPM | ||
Concerto à 4 in G Major, TWV 43:G13: I. Moderato | Georg Philipp Telemann, Concerto Melante | F♯ Major | 1 | 2B | 79 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM |
Section: 0.5644874572753906
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