Jacques Duphly, Alexandre Tharaud made "Duphly: Troisième livre de pièces de clavecin: VIII. La de Belombre" available on November 15, 2019. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Versailles by Alexandre Tharaud. The song's track number on the album is #18 out of 21 tracks. Based on our statistics, Duphly: Troisième livre de pièces de clavecin: VIII. La de Belombre's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Duphly: Troisième livre de pièces de clavecin: VIII. La de Belombre by Jacques Duphly, Alexandre Tharaud has a tempo of 126 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Duphly: Troisième livre de pièces de clavecin: VIII. La de Belombre being at 126 BPM, the half-time would be 63 BPM with a double-time of 252 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto Grosso Op. 6 No. 4 : IV. Giga Allegro | Arcangelo Corelli, Verità Baroque, Guglielmo Dandolo Marchesi, Eugenia Ottaviano, Bartolomeo Dandolo Marchesi | D♭ Major | 3 | 3B | 146 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: VI. Mascarade, rondeau | Robert de Visée, Jean Rondeau | D♭ Minor | 2 | 12A | 106 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
2e livre de viole: Tombeau pour Mr de Sainte-Colombe | Marin Marais, Friederike Heumann, Xavier Diaz-Latorre | E♭ Minor | 0 | 2A | 167 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 2 in C minor, BWV 847 | Luc Beauséjour | B Minor | 6 | 10A | 110 BPM | ||
Preludio I | Nicola Matteis, Gli Incogniti, Amandine Beyer | A Major | 4 | 11B | 76 BPM | ||
Flute Concerto in D Minor, Wq. 22, H. 425 (arr. R.O. Quero for oboe, strings and harpsichord): I. [Allegro] | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | D Minor | 2 | 7A | 94 BPM | ||
Fantasia No. 1 in B-Flat Major, TWV 40:14: III. Grave | Georg Philipp Telemann, Federico Guglielmo | D♭ Major | 0 | 3B | 76 BPM | ||
Sey tausenmahl willkommen, TWV 13: 9a | Georg Philipp Telemann, Wu Wei, Holland Baroque | D Major | 1 | 10B | 97 BPM | ||
Duo Sonata in A Major, Op. 162, D. 574 (Arr. J. Kellermann for Violin & Guitar): III. Andantino | Franz Schubert, Daniel Migdal, Jacob Kellermann | C Major | 1 | 8B | 134 BPM |
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